Search Results: "tb"

18 January 2024

Russell Coker: LicheePi 4A (RISC-V) First Look

I Just bought a LicheePi 4A RISC-V embedded computer (like a RaspberryPi but with a RISC-V CPU) for $322.68 from Aliexpress (the official site for buying LicheePi devices). Here is the Sipheed web page about it and their other recent offerings [1]. I got the version with 16G of RAM and 128G of storage, I probably don t need that much storage (I can use NFS or USB) but 16G of RAM is good for VMs. Here is the Wiki about this board [2]. Configuration When you get one of these devices you should make setting up ssh server your first priority. I found the HDMI output to be very unreliable. The first monitor I tried was a Samsung 4K monitor dating from when 4K was a new thing, the LicheePi initially refused to operate at a resolution higher than 1024*768 but later on switched to 4K resolution when resuming from screen-blank for no apparent reason (and the window manager didn t support this properly). On the Dell 4K monitor I use on my main workstation it sometimes refused to talk to it and occasionally worked. I got it running at 1920*1080 without problems and then switched it to 4K and it lost video sync and never talked to that monitor again. On my Desklab portabable 4K monitor I got it to display in 4K resolution but only the top left 1/4 of the screen displayed. The issues with HDMI monitor support greatly limit the immediate potential for using this as a workstation. It doesn t make it impossible but would be fiddly at best. It s quite likely that a future OS update will fix this. But at the moment it s best used as a server. The LicheePi has a custom Linux distribution based on Ubuntu so you want too put something like the following in /etc/network/interfaces to make it automatically connect to the ethernet when plugged in: 
auto end0
iface end0 inet dhcp
Then to get sshd to start you have to run the following commands to generate ssh host keys that aren t zero bytes long: 
rm /etc/ssh/ssh_host_*
systemctl restart ssh.service
It appears to have wifi hardware but the OS doesn t recognise it. This isn t a priority for me as I mostly want to use it as a server. Performance For the first test of performance I created a 100MB file from /dev/urandom and then tried compressing it on various systems. With zstd -9 it took 16.893 user seconds on the LicheePi4A, 0.428s on my Thinkpad X1 Carbon Gen5 with a i5-6300U CPU (Debian/Unstable), 1.288s on my E5-2696 v3 workstation (Debian/Bookworm), 0.467s on the E5-2696 v3 running Debian/Unstable, 2.067s on a E3-1271 v3 server, and 7.179s on the E3-1271 v3 system emulating a RISC-V system via QEMU running Debian/Unstable. It s very impressive that the QEMU emulation is fast enough that emulating a different CPU architecture is only 3.5* slower for this test (or maybe 10* slower if it was running Debian/Unstable on the AMD64 code)! The emulated RISC-V is also more than twice as fast as real RISC-V hardware and probably of comparable speed to real RISC-V hardware when running the same versions (and might be slightly slower if running the same version of zstd) which is a tribute to the quality of emulation. One performance issue that most people don t notice is the time taken to negotiate ssh sessions. It s usually not noticed because the common CPUs have got faster at about the same rate as the algorithms for encryption and authentication have become more complex. On my i5-6300U laptop it takes 0m0.384s to run ssh -i ~/.ssh/id_ed25519 localhost id with the below server settings (taken from advice on ssh-audit.com [3] for a secure ssh configuration). On the E3-1271 v3 server it is 0.336s, on the QMU system it is 28.022s, and on the LicheePi it is 0.592s. By this metric the LicheePi is about 80% slower than decent x86 systems and the QEMU emulation of RISC-V is 73* slower than the x86 system it runs on. Does crypto depend on instructions that are difficult to emulate? 
HostKey /etc/ssh/ssh_host_ed25519_key
KexAlgorithms -ecdh-sha2-nistp256,ecdh-sha2-nistp384,ecdh-sha2-nistp521,diffie-hellman-group14-sha256
MACs -umac-64-etm@openssh.com,hmac-sha1-etm@openssh.com,umac-64@openssh.com,umac-128@openssh.com,hmac-sha2-256,hmac-sha2-512,hmac-sha1
I haven t yet tested the performance of Ethernet (what routing speed can you get through the 2 gigabit ports?), emmc storage, and USB. At the moment I ve been focused on using RISC-V as a test and development platform. My conclusion is that I m glad I don t plan to compile many kernels or anything large like LibreOffice. But that for typical development that I do it will be quite adequate. The speed of Chromium seems adequate in basic tests, but the video output hasn t worked reliably enough to do advanced tests. Hardware Features Having two Gigabit Ethernet ports, 4 USB-3 ports, and Wifi on board gives some great options for using this as a router. It s disappointing that they didn t go with 2.5Gbit as everyone seems to be doing that nowadays but Gigabit is enough for most things. Having only a single HDMI port and not supporting USB-C docks (the USB-C port appears to be power only) limits what can be done for workstation use and for controlling displays. I know of people using small ARM computers attached to the back of large TVs for advertising purposes and that isn t going to be a great option for this. The CPU and RAM apparently uses a lot of power (which is relative the entire system draws up to 2A at 5V so the CPU would be something below 5W). To get this working a cooling fan has to be stuck to the CPU and RAM chips via a layer of thermal stuff that resembles a fine sheet of blu-tack in both color and stickyness. I am disappointed that there isn t any more solid form of construction, to mount this on a wall or ceiling some extra hardware would be needed to secure this. Also if they just had a really big copper heatsink I think that would be better. 80386 CPUs with similar TDP were able to run without a fan. I wonder how things would work with all USB ports in use. It s expected that a USB port can supply a minimum of 2.5W which means that all the ports could require 10W if they were active. Presumably something significantly less than 5W is available for the USB ports. Other Devices Sipheed has a range of other devices in the works. They currently sell the LicheeCluster4A which support 7 compute modules for a cluster in a box. This has some interesting potential for testing and demonstrating cluster software but you could probably buy an AMD64 system with more compute power for less money. The Lichee Console 4A is a tiny laptop which could be useful for people who like the 7 laptop form factor, unfortunately it only has a 1280*800 display if it had the same resolution display as a typical 7 phone I would have bought one. The next device that appeals to me is the soon to be released Lichee Pad 4A which is a 10.1 tablet with 1920*1200 display, Wifi6, Bluetooth 5.4, and 16G of RAM. It also has 1 USB-C connection, 2*USB-3 sockets, and support for an external card with 2*Gigabit ethernet. It s a tablet as a laptop without keyboard instead of the more common larger phone design model. They are also about to release the LicheePadMax4A which is similar to the other tablet but with a 14 2240*1400 display and which ships with a keyboard to make it essentially a laptop with detachable keyboard. Conclusion At this time I wouldn t recommend that this device be used as a workstation or laptop, although the people who want to do such things will probably do it anyway regardless of my recommendations. I think it will be very useful as a test system for RISC-V development. I have some friends who are interested in this sort of thing and I can give them VMs. It is a bit expensive. The Sipheed web site boasts about the LicheePi4 being faster than the RaspberryPi4, but it s not a lot faster and the RaspberryPi4 is much cheaper ($127 or $129 for one with 8G of RAM). The RaspberryPi4 has two HDMI ports but a limit of 8G of RAM while the LicheePi has up to 16G of RAM and two Gigabit Ethernet ports but only a single HDMI port. It seems that the RaspberryPi4 might win if you want a cheap low power desktop system. At this time I think the reason for this device is testing out RISC-V as an alternative to the AMD64 and ARM64 architectures. An open CPU architecture goes well with free software, but it isn t just people who are into FOSS who are testing such things. I know some corporations are trying out RISC-V as a way of getting other options for embedded systems that don t involve paying monopolists. The Lichee Console 4A is probably a usable tiny laptop if the resolution is sufficient for your needs. As an aside I predict that the tiny laptop or pocket computer segment will take off in the near future. There are some AMD64 systems the size of a phone but thicker that run Windows and go for reasonable prices on AliExpress. Hopefully in the near future this device will have better video drivers and be usable as a small and quiet workstation. I won t rule out the possibility of making this my main workstation in the not too distant future, all it needs is reliable 4K display and the ability to decode 4K video. It s performance for web browsing and as an ssh client seems adequate, and that s what matters for my workstation use. But for the moment it s just for server use.
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17 January 2024

Colin Watson: Task management

Now that I m freelancing, I need to actually track my time, which is something I ve had the luxury of not having to do before. That meant something of a rethink of the way I ve been keeping track of my to-do list. Up to now that was a combination of things like the bug lists for the projects I m working on at the moment, whatever task tracking system Canonical was using at the moment (Jira when I left), and a giant flat text file in which I recorded logbook-style notes of what I d done each day plus a few extra notes at the bottom to remind myself of particularly urgent tasks. I could have started manually adding times to each logbook entry, but ugh, let s not. In general, I had the following goals (which were a bit reminiscent of my address book): I didn t do an elaborate evaluation of multiple options, because I m not trying to come up with the best possible solution for a client here. Also, there are a bazillion to-do list trackers out there and if I tried to evaluate them all I d never do anything else. I just wanted something that works well enough for me. Since it came up on Mastodon: a bunch of people swear by Org mode, which I know can do at least some of this sort of thing. However, I don t use Emacs and don t plan to use Emacs. nvim-orgmode does have some support for time tracking, but when I ve tried vim-based versions of Org mode in the past I ve found they haven t really fitted my brain very well. Taskwarrior and Timewarrior One of the other Freexian collaborators mentioned Taskwarrior and Timewarrior, so I had a look at those. The basic idea of Taskwarrior is that you have a task command that tracks each task as a blob of JSON and provides subcommands to let you add, modify, and remove tasks with a minimum of friction. task add adds a task, and you can add metadata like project:Personal (I always make sure every task has a project, for ease of filtering). Just running task shows you a task list sorted by Taskwarrior s idea of urgency, with an ID for each task, and there are various other reports with different filtering and verbosity. task <id> annotate lets you attach more information to a task. task <id> done marks it as done. So far so good, so a redacted version of my to-do list looks like this: 
$ task ls
ID A Project     Tags                 Description
17   Freexian                         Add Incus support to autopkgtest [2]
 7   Columbiform                      Figure out Lloyds online banking [1]
 2   Debian                           Fix troffcvt for groff 1.23.0 [1]
11   Personal                         Replace living room curtain rail
Once I got comfortable with it, this was already a big improvement. I haven t bothered to learn all the filtering gadgets yet, but it was easy enough to see that I could do something like task all project:Personal and it d show me both pending and completed tasks in that project, and that all the data was stored in ~/.task - though I have to say that there are enough reporting bells and whistles that I haven t needed to poke around manually. In combination with the regular backups that I do anyway (you do too, right?), this gave me enough confidence to abandon my previous text-file logbook approach. Next was time tracking. Timewarrior integrates with Taskwarrior, albeit in an only semi-packaged way, and it was easy enough to set that up. Now I can do: 
$ task 25 start
Starting task 00a9516f 'Write blog post about task tracking'.
Started 1 task.
Note: '"Write blog post about task tracking"' is a new tag.
Tracking Columbiform "Write blog post about task tracking"
  Started 2024-01-10T11:28:38
  Current                  38
  Total               0:00:00
You have more urgent tasks.
Project 'Columbiform' is 25% complete (3 of 4 tasks remaining).
When I stop work on something, I do task active to find the ID, then task <id> stop. Timewarrior does the tedious stopwatch business for me, and I can manually enter times if I forget to start/stop a task. Then the really useful bit: I can do something like timew summary :month <name-of-client> and it tells me how much to bill that client for this month. Perfect. I also started using VIT to simplify the day-to-day flow a little, which means I m normally just using one or two keystrokes rather than typing longer commands. That isn t really necessary from my point of view, but it does save some time. Android integration I left Android integration for a bit later since it wasn t essential. When I got round to it, I have to say that it felt a bit clumsy, but it did eventually work. The first step was to set up a taskserver. Most of the setup procedure was OK, but I wanted to use Let s Encrypt to minimize the amount of messing around with CAs I had to do. Getting this to work involved hitting things with sticks a bit, and there s still a local CA involved for client certificates. What I ended up with was a certbot setup with the webroot authenticator and a custom deploy hook as follows (with cert_name replaced by a DNS name in my house domain): 
#! /bin/sh
set -eu
cert_name=taskd.example.org
found=false
for domain in $RENEWED_DOMAINS; do
    case "$domain" in
        $cert_name)
            found=:
            ;;
    esac
done
$found   exit 0
install -m 644 "/etc/letsencrypt/live/$cert_name/fullchain.pem" \
    /var/lib/taskd/pki/fullchain.pem
install -m 640 -g Debian-taskd "/etc/letsencrypt/live/$cert_name/privkey.pem" \
    /var/lib/taskd/pki/privkey.pem
systemctl restart taskd.service
I could then set this in /etc/taskd/config (server.crl.pem and ca.cert.pem were generated using the documented taskserver setup procedure): 
server.key=/var/lib/taskd/pki/privkey.pem
server.cert=/var/lib/taskd/pki/fullchain.pem
server.crl=/var/lib/taskd/pki/server.crl.pem
ca.cert=/var/lib/taskd/pki/ca.cert.pem
Then I could set taskd.ca on my laptop to /usr/share/ca-certificates/mozilla/ISRG_Root_X1.crt and otherwise follow the client setup instructions, run task sync init to get things started, and then task sync every so often to sync changes between my laptop and the taskserver. I used TaskWarrior Mobile as the client. I have to say I wouldn t want to use that client as my primary task tracking interface: the setup procedure is clunky even beyond the necessity of copying a client certificate around, it expects you to give it a .taskrc rather than having a proper settings interface for that, and it only seems to let you add a task if you specify a due date for it. It also lacks Timewarrior integration, so I can only really use it when I don t care about time tracking, e.g. personal tasks. But that s really all I need, so it meets my minimum requirements. Next? Considering this is literally the first thing I tried, I have to say I m pretty happy with it. There are a bunch of optional extras I haven t tried yet, but in general it kind of has the vim nature for me: if I need something it s very likely to exist or easy enough to build, but the features I don t use don t get in my way. I wouldn t recommend any of this to somebody who didn t already spend most of their time in a terminal - but I do. I m glad people have gone to all the effort to build this so I didn t have to.

16 January 2024

Russ Allbery: Review: Making Money

Review: Making Money, by Terry Pratchett
Series: Discworld #36
Publisher: Harper
Copyright: October 2007
Printing: November 2014
ISBN: 0-06-233499-9
Format: Mass market
Pages: 473
Making Money is the 36th Discworld novel, the second Moist von Lipwig book, and a direct sequel to Going Postal. You could start the series with Going Postal, but I would not start here. The post office is running like a well-oiled machine, Adora Belle is out of town, and Moist von Lipwig is getting bored. It's the sort of boredom that has him picking his own locks, taking up Extreme Sneezing, and climbing buildings at night. He may not realize it, but he needs something more dangerous to do. Vetinari has just the thing. The Royal Bank of Ankh-Morpork, unlike the post office before Moist got to it, is still working. It is a stolid, boring institution doing stolid, boring things for rich people. It is also the battleground for the Lavish family past-time: suing each other and fighting over money. The Lavishes are old money, the kind of money carefully entangled in trusts and investments designed to ensure the family will always have money regardless of how stupid their children are. Control of the bank is temporarily in the grasp of Joshua Lavish's widow Topsy, who is not a true Lavish, but the vultures are circling. Meanwhile, Vetinari has grand city infrastructure plans, and to carry them out he needs financing. That means he needs a functional bank, and preferably one that is much less conservative. Moist is dubious about running a bank, and even more reluctant when Topsy Lavish sees him for exactly the con artist he is. His hand is forced when she dies, and Moist discovers he has inherited her dog, Mr. Fusspot. A dog that now owns 51% of the Royal Bank and therefore is the chairman of the bank's board of directors. A dog whose safety is tied to Moist's own by way of an expensive assassination contract. Pratchett knew he had a good story with Going Postal, so here he runs the same formula again. And yes, I was happy to read it again. Moist knows very little about banking but quite a lot about pretending something will work until it does, which has more to do with banking than it does with running a post office. The bank employs an expert, Mr. Bent, who is fanatically devoted to the gold standard and the correctness of the books and has very little patience for Moist. There are golem-related hijinks. The best part of this book is Vetinari, who is masterfully manipulating everyone in the story and who gets in some great lines about politics.
"We are not going to have another wretched empire while I am Patrician. We've only just got over the last one."
Also, Vetinari processing dead letters in the post office was an absolute delight. Making Money does have the recurring Pratchett problem of having a fairly thin plot surrounded by random... stuff. Moist's attempts to reform the city currency while staying ahead of the Lavishes is only vaguely related to Mr. Bent's plot arc. The golems are unrelated to the rest of the plot other than providing a convenient deus ex machina. There is an economist making water models in the bank basement with an Igor, which is a great gag but has essentially nothing to do with the rest of the book. One of the golems has been subjected to well-meaning older ladies and 1950s etiquette manuals, which I thought was considerably less funny (and somewhat creepier) than Pratchett did. There are (sigh) clowns, which continue to be my least favorite Ankh-Morpork world-building element. At least the dog was considerably less annoying than I was afraid it was going to be. This grab-bag randomness is a shame, since I think there was room here for a more substantial plot that engaged fully with the high weirdness of finance. Unfortunately, this was a bit like the post office in Going Postal: Pratchett dives into the subject just enough to make a few wry observations and a few funny quips, and then resolves the deeper issues off-camera. Moist tries to invent fiat currency, because of course he does, and Pratchett almost takes on the gold standard, only to veer away at the last minute into vigorous hand-waving. I suspect part of the problem is that I know a little bit too much about finance, so I kept expecting Pratchett to take the humorous social commentary a couple of levels deeper. On a similar note, the villains have great potential that Pratchett undermines by adding too much over-the-top weirdness. I wish Cosmo Lavish had been closer to what he appears to be at the start of the book: a very wealthy and vindictive man (and a reference to Cosimo de Medici) who doesn't have Moist's ability to come up with wildly risky gambits but who knows considerably more than he does about how banking works. Instead, Pratchett gives him a weird obsession that slowly makes him less sinister and more pathetic, which robs the book of a competent antagonist for Moist. The net result is still a fun book, and a solid Discworld entry, but it lacks the core of the best series entries. It felt more like a skit comedy show than a novel, but it's an excellent skit comedy show with the normal assortment of memorable Pratchettisms. Certainly if you've read this far, or even if you've only read Going Postal, you'll want to read Making Money as well. Followed by Unseen Academicals. The next Moist von Lipwig book is Raising Steam. Rating: 8 out of 10

15 January 2024

Russ Allbery: Review: The Library of Broken Worlds

Review: The Library of Broken Worlds, by Alaya Dawn Johnson
Publisher: Scholastic Press
Copyright: June 2023
ISBN: 1-338-29064-9
Format: Kindle
Pages: 446
The Library of Broken Worlds is a young-adult far-future science fantasy. So far as I can tell, it's stand-alone, although more on that later in the review. Freida is the adopted daughter of Nadi, the Head Librarian, and her greatest wish is to become a librarian herself. When the book opens, she's a teenager in highly competitive training. Freida is low-wetware, without the advanced and expensive enhancements of many of the other students competing for rare and prized librarian positions, which she makes up for by being the most audacious. She doesn't need wetware to commune with the library material gods. If one ventures deep into their tunnels and consumes their crystals, direct physical communion is possible. The library tunnels are Freida's second home, in part because that's where she was born. She was created by the Library, and specifically by Iemaja, the youngest of the material gods. Precisely why is a mystery. To Nadi, Freida is her daughter. To Quinn, Nadi's main political rival within the library, Freida is a thing, a piece of the library, a secondary and possibly rogue AI. A disruptive annoyance. The Library of Broken Worlds is the sort of science fiction where figuring out what is going on is an integral part of the reading experience. It opens with a frame story of an unnamed girl (clearly Freida) waking the god Nameren and identifying herself as designed for deicide. She provokes Nameren's curiosity and offers an Arabian Nights bargain: if he wants to hear her story, he has to refrain from killing her for long enough for her to tell it. As one might expect, the main narrative doesn't catch up to the frame story until the very end of the book. The Library is indeed some type of library that librarians can search for knowledge that isn't available from more mundane sources, but Freida's personal experience of it is almost wholly religious and oracular. The library's material gods are identified as AIs, but good luck making sense of the story through a science fiction frame, even with a healthy allowance for sufficiently advanced technology being indistinguishable from magic. The symbolism and tone is entirely fantasy, and late in the book it becomes clear that whatever the material gods are, they're not simple technological AIs in the vein of, say, Banks's Ship Minds. Also, the Library is not solely a repository of knowledge. It is the keeper of an interstellar peace. The Library was founded after the Great War, to prevent a recurrence. It functions as a sort of legal system and grand tribunal in ways that are never fully explained. As you might expect, that peace is based more on stability than fairness. Five of the players in this far future of humanity are the Awilu, the most advanced society and the first to leave Earth (or Tierra as it's called here); the Mah m, who possess the material war god Nameren of the frame story; the Lunars and Martians, who dominate the Sol system; and the surviving Tierrans, residents of a polluted and struggling planet that is ruthlessly exploited by the Lunars. The problem facing Freida and her friends at the start of the book is a petition brought by a young Tierran against Lunar exploitation of his homeland. His name is Joshua, and Freida is more than half in love with him. Joshua's legal argument involves interpretation of the freedom node of the treaty that ended the Great War, a node that precedent says gives the Lunars the freedom to exploit Tierra, but which Joshua claims has a still-valid originalist meaning granting Tierrans freedom from exploitation. There is, in short, a lot going on in this book, and "never fully explained" is something of a theme. Freida is telling a story to Nameren and only explains things Nameren may not already know. The reader has to puzzle out the rest from the occasional hint. This is made more difficult by the tendency of the material gods to communicate only in visions or guided hallucinations, full of symbolism that the characters only partly explain to the reader. Nonetheless, this did mostly work, at least for me. I started this book very confused, but by about the midpoint it felt like the background was coming together. I'm still not sure I understand the aurochs, baobab, and cicada symbolism that's so central to the framing story, but it's the pleasant sort of stretchy confusion that gives my brain a good workout. I wish Johnson had explained a few more things plainly, particularly near the end of the book, but my remaining level of confusion was within my tolerances. Unfortunately, the ending did not work for me. The first time I read it, I had no idea what it meant. Lots of baffling, symbolic things happened and then the book just stopped. After re-reading the last 10%, I think all the pieces of an ending and a bit of an explanation are there, but it's absurdly abbreviated. This is another book where the author appears to have been finished with the story before I was. This keeps happening to me, so this probably says something more about me than it says about books, but I want books to have an ending. If the characters have fought and suffered through the plot, I want them to have some space to be happy and to see how their sacrifices play out, with more detail than just a few vague promises. If much of the book has been puzzling out the nature of the world, I would like some concrete confirmation of at least some of my guesswork. And if you're going to end the book on radical transformation, I want to see the results of that transformation. Johnson does an excellent job showing how brutal the peace of the powerful can be, and is willing to light more things on fire over the course of this book than most authors would, but then doesn't offer the reader much in the way of payoff. For once, I wish this stand-alone turned out to be a series. I think an additional book could be written in the aftermath of this ending, and I would definitely read that novel. Johnson has me caring deeply about these characters and fascinated by the world background, and I'd happily spend another 450 pages finding out what happens next. But, frustratingly, I think this ending was indeed intended to wrap up the story. I think this book may fall between a few stools. Science fiction readers who want mysterious future worlds to be explained by the end of the book are going to be frustrated by the amount of symbolism, allusion, and poetic description. Literary fantasy readers, who have a higher tolerance for that style, are going to wish for more focused and polished writing. A lot of the story is firmly YA: trying and failing to fit in, developing one's identity, coming into power, relationship drama, great betrayals and regrets, overcoming trauma and abuse, and unraveling lies that adults tell you. But this is definitely not a straight-forward YA plot or world background. It demands a lot from the reader, and while I am confident many teenage readers would rise to that challenge, it seems like an awkward fit for the YA marketing category. About 75% of the way in, I would have told you this book was great and you should read it. The ending was a let-down and I'm still grumpy about it. I still think it's worth your attention if you're in the mood for a sink-or-swim type of reading experience. Just be warned that when the ride ends, I felt unceremoniously dumped on the pavement. Content warnings: Rape, torture, genocide. Rating: 7 out of 10

11 January 2024

Reproducible Builds: Reproducible Builds in December 2023

Welcome to the December 2023 report from the Reproducible Builds project! In these reports we outline the most important things that we have been up to over the past month. As a rather rapid recap, whilst anyone may inspect the source code of free software for malicious flaws, almost all software is distributed to end users as pre-compiled binaries (more).

Reproducible Builds: Increasing the Integrity of Software Supply Chains awarded IEEE Software Best Paper award In February 2022, we announced in these reports that a paper written by Chris Lamb and Stefano Zacchiroli was now available in the March/April 2022 issue of IEEE Software. Titled Reproducible Builds: Increasing the Integrity of Software Supply Chains (PDF). This month, however, IEEE Software announced that this paper has won their Best Paper award for 2022.

Reproducibility to affect package migration policy in Debian In a post summarising the activities of the Debian Release Team at a recent in-person Debian event in Cambridge, UK, Paul Gevers announced a change to the way packages are migrated into the staging area for the next stable Debian release based on its reproducibility status:
The folks from the Reproducibility Project have come a long way since they started working on it 10 years ago, and we believe it s time for the next step in Debian. Several weeks ago, we enabled a migration policy in our migration software that checks for regression in reproducibility. At this moment, that is presented as just for info, but we intend to change that to delays in the not so distant future. We eventually want all packages to be reproducible. To stimulate maintainers to make their packages reproducible now, we ll soon start to apply a bounty [speedup] for reproducible builds, like we ve done with passing autopkgtests for years. We ll reduce the bounty for successful autopkgtests at that moment in time.

Speranza: Usable, privacy-friendly software signing Kelsey Merrill, Karen Sollins, Santiago Torres-Arias and Zachary Newman have developed a new system called Speranza, which is aimed at reassuring software consumers that the product they are getting has not been tampered with and is coming directly from a source they trust. A write-up on TechXplore.com goes into some more details:
What we have done, explains Sollins, is to develop, prove correct, and demonstrate the viability of an approach that allows the [software] maintainers to remain anonymous. Preserving anonymity is obviously important, given that almost everyone software developers included value their confidentiality. This new approach, Sollins adds, simultaneously allows [software] users to have confidence that the maintainers are, in fact, legitimate maintainers and, furthermore, that the code being downloaded is, in fact, the correct code of that maintainer. [ ]
The corresponding paper is published on the arXiv preprint server in various formats, and the announcement has also been covered in MIT News.

Nondeterministic Git bundles Paul Baecher published an interesting blog post on Reproducible git bundles. For those who are not familiar with them, Git bundles are used for the offline transfer of Git objects without an active server sitting on the other side of a network connection. Anyway, Paul wrote about writing a backup system for his entire system, but:
I noticed that a small but fixed subset of [Git] repositories are getting backed up despite having no changes made. That is odd because I would think that repeated bundling of the same repository state should create the exact same bundle. However [it] turns out that for some, repositories bundling is nondeterministic.
Paul goes on to to describe his solution, which involves forcing git to be single threaded makes the output deterministic . The article was also discussed on Hacker News.

Output from libxlst now deterministic libxslt is the XSLT C library developed for the GNOME project, where XSLT itself is an XML language to define transformations for XML files. This month, it was revealed that the result of the generate-id() XSLT function is now deterministic across multiple transformations, fixing many issues with reproducible builds. As the Git commit by Nick Wellnhofer describes: 
Rework the generate-id() function to return deterministic values. We use
a simple incrementing counter and store ids in the 'psvi' member of
nodes which was freed up by previous commits. The presence of an id is
indicated by a new "source node" flag.
This fixes long-standing problems with reproducible builds, see
https://bugzilla.gnome.org/show_bug.cgi?id=751621
This also hardens security, as the old implementation leaked the
difference between a heap and a global pointer, see
https://bugs.chromium.org/p/chromium/issues/detail?id=1356211
The old implementation could also generate the same id for dynamically
created nodes which happened to reuse the same memory. Ids for namespace
nodes were completely broken. They now use the id of the parent element
together with the hex-encoded namespace prefix.

Community updates There were made a number of improvements to our website, including Chris Lamb fixing the generate-draft script to not blow up if the input files have been corrupted today or even in the past [ ], Holger Levsen updated the Hamburg 2023 summit to add a link to farewell post [ ] & to add a picture of a Post-It note. [ ], and Pol Dellaiera updated the paragraph about tar and the --clamp-mtime flag [ ]. On our mailing list this month, Bernhard M. Wiedemann posted an interesting summary on some of the reasons why packages are still not reproducible in 2023. diffoscope is our in-depth and content-aware diff utility that can locate and diagnose reproducibility issues. This month, Chris Lamb made a number of changes, including processing objdump symbol comment filter inputs as Python byte (and not str) instances [ ] and Vagrant Cascadian extended diffoscope support for GNU Guix [ ] and updated the version in that distribution to version 253 [ ].

Challenges of Producing Software Bill Of Materials for Java Musard Balliu, Benoit Baudry, Sofia Bobadilla, Mathias Ekstedt, Martin Monperrus, Javier Ron, Aman Sharma, Gabriel Skoglund, C sar Soto-Valero and Martin Wittlinger (!) of the KTH Royal Institute of Technology in Sweden, have published an article in which they:
deep-dive into 6 tools and the accuracy of the SBOMs they produce for complex open-source Java projects. Our novel insights reveal some hard challenges regarding the accurate production and usage of software bills of materials.
The paper is available on arXiv.

Debian Non-Maintainer campaign As mentioned in previous reports, the Reproducible Builds team within Debian has been organising a series of online and offline sprints in order to clear the huge backlog of reproducible builds patches submitted by performing so-called NMUs (Non-Maintainer Uploads). During December, Vagrant Cascadian performed a number of such uploads, including: In addition, Holger Levsen performed three no-source-change NMUs in order to address the last packages without .buildinfo files in Debian trixie, specifically lorene (0.0.0~cvs20161116+dfsg-1.1), maria (1.3.5-4.2) and ruby-rinku (1.7.3-2.1).

Reproducibility testing framework The Reproducible Builds project operates a comprehensive testing framework (available at tests.reproducible-builds.org) in order to check packages and other artifacts for reproducibility. In December, a number of changes were made by Holger Levsen:
  • Debian-related changes:
    • Fix matching packages for the [R programming language](https://en.wikipedia.org/wiki/R_(programming_language). [ ][ ][ ]
    • Add a Certbot configuration for the Nginx web server. [ ]
    • Enable debugging for the create-meta-pkgs tool. [ ][ ]
  • Arch Linux-related changes
    • The asp has been deprecated by pkgctl; thanks to dvzrv for the pointer. [ ]
    • Disable the Arch Linux builders for now. [ ]
    • Stop referring to the /trunk branch / subdirectory. [ ]
    • Use --protocol https when cloning repositories using the pkgctl tool. [ ]
  • Misc changes:
    • Install the python3-setuptools and swig packages, which are now needed to build OpenWrt. [ ]
    • Install pkg-config needed to build Coreboot artifacts. [ ]
    • Detect failures due to an issue where the fakeroot tool is implicitly required but not automatically installed. [ ]
    • Detect failures due to rename of the vmlinuz file. [ ]
    • Improve the grammar of an error message. [ ]
    • Document that freebsd-jenkins.debian.net has been updated to FreeBSD 14.0. [ ]
In addition, node maintenance was performed by Holger Levsen [ ] and Vagrant Cascadian [ ].

Upstream patches The Reproducible Builds project detects, dissects and attempts to fix as many currently-unreproducible packages as possible. We endeavour to send all of our patches upstream where appropriate. This month, we wrote a large number of such patches, including:
If you are interested in contributing to the Reproducible Builds project, please visit our Contribute page on our website. However, you can get in touch with us via:

10 January 2024

Simon Josefsson: Trisquel on arm64: Ampere Altra

Having had success running Trisquel on the ppc64 Talos II, I felt ready to get an arm64 machine running Trisquel. I have a Ampere Altra Developer Platform from ADLINK, which is a fairly powerful desktop machine. While there were some issues during installation, I m happy to say the machine is stable and everything appears to work fine.
ISO images for non-amd64 platforms are unfortunately still hidden from the main Trisquel download area, so you will have to use the following procedure to download and extract a netinst ISO image (using debian-installer) and write it to a USB memory device. Another unfortunate problem is that there are no OpenPGP signatures or hash checksums, but below I publish one checksum. 
wget -q http://builds.trisquel.org/debian-installer-images/debian-installer-images_20210731+deb11u9+11.0trisquel15_arm64.tar.gz
tar xfa debian-installer-images_20210731+deb11u9+11.0trisquel15_arm64.tar.gz ./installer-arm64/20210731+deb11u9+11/images/netboot/mini.iso
echo '311732519cc8c7c1bb2fe873f134fdafb211ef3bcb5b0d2ecdc6ea4e3b336357  installer-arm64/20210731+deb11u9+11/images/netboot/mini.iso'   sha256sum -c
sudo wipefs -a /dev/sdX
sudo dd if=installer-arm64/20210731+deb11u9+11/images/netboot/mini.iso of=/dev/sdX conv=sync status=progress
Insert the USB stick in a USB slot in the machine, and power up. Press ESCAPE at the BIOS prompt and select the USB device as the boot device. The first problem that hit me was that translations didn t work, I selected Swedish but the strings were garbled. Rebooting and selecting the default English worked fine. For installation, you need Internet connectivity and I use the RJ45 port closest to VGA/serial which is available as enP5p1s0 in the installer. I wouldn t connect the BMC RJ45 port to anything unless you understand the security implications. During installation you have to create a EFI partition for booting, and I ended up with one 1GB EFI partition, one 512GB ext4 partition for / with discard/noatime options, and a 32GB swap partition. The installer did not know about any Trisquel mirrors, but only had the default archive.trisquel.org, so if you need to use a mirror, take a note of the necessary details. The installation asks me about which kernel to install, and I went with the default linux-generic which results in a 5.15 linux-libre kernel. At the end of installation, unfortunately grub failed with a mysterious error message: Unable to install GRUB in dummy. Executing 'grub-install dummy' failed. On another console there is a better error message: failed to register the EFI boot entry. There are some references to file descriptor issues. Perhaps I partitioned the disk in a bad way, or this is a real bug in the installer for this platform. I continued installation, and it appears the installer was able to write GRUB to the device, but not add the right boot menu. So I was able to finish the installation properly, and then reboot and manually type the following GRUB commands: linux (hd0,gpt2)/boot/vmlinuz initrd (hd0,gpt2)/boot/initrd.img boot. Use the GRUB ls command to find the right device. See images below for more information.
Booting and installing GRUB again manually works fine: 
root@ampel:~# update-grub
Sourcing file  /etc/default/grub'
Sourcing file  /etc/default/grub.d/background.cfg'
Sourcing file  /etc/default/grub.d/init-select.cfg'
Generating grub configuration file ...
Found linux image: /boot/vmlinuz-5.15.0-91-generic
Found initrd image: /boot/initrd.img-5.15.0-91-generic
Found linux image: /boot/vmlinuz-5.15.0-58-generic
Found initrd image: /boot/initrd.img-5.15.0-58-generic
Warning: os-prober will not be executed to detect other bootable partitions.
Systems on them will not be added to the GRUB boot configuration.
Check GRUB_DISABLE_OS_PROBER documentation entry.
Adding boot menu entry for UEFI Firmware Settings ...
done
root@ampel:~#
During installation I tend to avoid selecting any tasksel components, in part because it didn t use a local mirror to gain network speed, and in part because I don t want to generate OpenSSH keys in a possibly outdated environment that is harder to audit and reproducible rebuild than the finally installed system. When I selected the OpenSSH and GNOME tasksel, I get an error, but fortunately using apt get directly is simple. 
root@ampel:~# tasksel
Tasksel GNOME failed:
tasksel: apt-get failed (100)
root@ampel:~# apt-get install trisquel-gnome ssh
Graphics in GNOME was slow using the built-in ASPEED AST2500 VGA controller with linux-libre 5.15. There are kernels labeled 64k but I haven t tested them, and I m not sure they would bring any significant advantage. I simply upgraded to a more recent linux-libre 6.2 kernel via the linux-image-generic-hwe-11.0 virtual package. After a reboot, graphics in GNOME is usable. 
root@ampel:~# apt-get install linux-image-generic-hwe-11.0
There seems to be some issue with power-saving inside GNOME, since the machine becomes unresponsive after 20 minutes, and I m unable to make it resume via keyboard or power button. Disabling the inactivity power setting in GNOME works fine to resolve this. I will now put this machine to some more heavy use and see how it handles it. I hope to find more suitable arm64-based servers to complement my ppc64el-based servers in the future, as this ADLINK Ampere Altra Developer Platform with liquid-cooling is more of a toy than a serious server for use in a datacentre. Happy Trisquel-on-arm64 Hacking!

Russell Coker: SAS vs SATA and Recovery

SAS and SATA are electrically compatible to a degree that allows connecting a SATA storage device to a SAS controller. The SAS controller understands the SATA protocol so this works. A SAS device can t be physically connected to a SATA controller and if you did manage to connect it then it wouldn t work. Some SAS RAID controllers don t permit mixing SAS and SATA devices in the same array, this is a software issue and could be changed. I know that the PERC controllers used by Dell (at least the older versions) do this and it might affect many/most MegaRAID controllers (which is what PERC is). If you have a hardware RAID array of SAS disks and one fails then you need a spare SAS disk and as the local computer store won t have any you need some on hand. The Linux kernel has support for the MegaRAID/PERC superblocks so for at least some of the RAID types supported by MegaRAID/PERC you can just connect the disks to a Linux system and have it work (I ve only tested on JBOD AKA a single-disk RAID-0). So if you have a server from Dell or IBM or any other company that uses MegaRAID which fails you can probably just put the disks into a non-RAID SAS controller and have them work. As Linux doesn t care about the difference between SAS and SATA at the RAID level you could then add a SATA disk to an array of SAS disks. If you want to move an array from a dead Dell to a working IBM server or the other way around then you need it to be all SATA or all SAS. You can use a Linux system to mount an array used by Windows or any other OS and then migrate the data to a different array. If you have an old array of SAS disks and one fails then it might be a reasonable option to just migrate the data to a new array of SATA SSDs. EG if you had 6*600G SAS disks you could move to 2*4TB SATA SSDs and get more storage, much higher performance, less power use, and less noise for a cost of $800 or so (you can spend more to get better performance) and some migration time. Having a spare SAS controller for data recovery is convenient. Having a spare SAS disk for any RAID-5/RAID-6 is a good thing. Having lots of spare SAS disks probably isn t useful as migrating to SATA is a better choice. SATA SSDs are bigger and faster than most SAS disks that are in production. I m sure that someone uses SAS SSDs but I haven t yet seen them in production, if you have a SAS system and need the performance that SSDs can give then a new server with U.2 (the SAS equivalent of NVMe) is the way to go). SATA hard drives are also the solution for seriously large storage, 16TB SATA hard drives are cheap and work in all the 3.5 SAS systems. It s hard to sell old SAS disks as there isn t much use for them.
Related posts:
  1. Cheap SATA Disks in a Dell PowerEdge T410 A non-profit organisation I support has just bought a Dell...
  2. HP ML350P Gen8 I m playing with a HP Proliant ML350P Gen8 server (part...
  3. Dell PowerEdge T320 and Linux I recently bought a couple of PowerEdge T320 servers, so...

8 January 2024

Antoine Beaupr : Last year on this blog

So this blog is now celebrating its 21st birthday (or 20 if you count from zero, or 18 if you want to be pedantic), and I figured I would do this yearly thing of reviewing how that went.

Number of posts 2022 was the official 20th anniversary in any case, and that was one of my best years on record, with 46 posts, surpassed only by the noisy 2005 (62) and matching 2006 (46). 2023, in comparison, was underwhelming: a feeble 11 posts! What happened! Well, I was busy with other things, mostly away from keyboard, that I will not bore you with here... The other thing that happened is that the one-liner I used to collect stats was broken (it counted folders and other unrelated files) and wildly overestimated 2022! Turns out I didn't write that much then: 
anarc.at$ ls blog   grep '^[0-9][0-9][0-9][0-9].*.md'   se
d s/-.*//   sort   uniq -c    sort -n -k2
     57 2005
     43 2006
     20 2007
     20 2008
      7 2009
     13 2010
     16 2011
     11 2012
     13 2013
      5 2014
     13 2015
     18 2016
     29 2017
     27 2018
     17 2019
     18 2020
     14 2021
     28 2022
     10 2023
      1 2024
But even that is inaccurate because, in ikiwiki, I can tag any page as being featured on the blog. So we actually need to process the HTML itself because we don't have much better on hand without going through ikiwiki's internals: 
anarcat@angela:anarc.at$ curl -sSL https://anarc.at/blog/   grep 'href="\./'   grep -o 20[0-9][0-9]   sort   uniq -c 
     56 2005
     42 2006
     19 2007
     18 2008
      6 2009
     12 2010
     15 2011
     10 2012
     11 2013
      3 2014
     15 2015
     32 2016
     50 2017
     37 2018
     19 2019
     19 2020
     15 2021
     28 2022
     13 2023
Which puts the top 10 years at: 
$ curl -sSL https://anarc.at/blog/   grep 'href="\./'   grep -o 20[0-9][0-9]   sort   uniq -c    sort -nr   head -10
     56 2005
     50 2017
     42 2006
     37 2018
     32 2016
     28 2022
     19 2020
     19 2019
     19 2007
     18 2008
Anyway. 2023 is certainly not a glorious year in that regard, in any case.

Visitors In terms of visits, however, we had quite a few hits. According to Goatcounter, I had 122 300 visits in 2023! 2022, in comparison, had 89 363, so that's quite a rise.

What you read I seem to have hit the Hacker News front page at least twice. I say "seem" because it's actually pretty hard to tell what the HN frontpage actually is on any given day. I had 22k visits on 2023-03-13, in any case, and you can't see me on the front that day. We do see a post of mine on 2023-09-02, all the way down there, which seem to have generated another 10k visits. In any case, here were the most popular stories for you fine visitors:
  • Framework 12th gen laptop review: 24k visits, which is surprising for a 13k words article "without images", as some critics have complained. 15k referred by Hacker News. Good reference and time-consuming benchmarks, slowly bit-rotting. That is, by far, my most popular article ever. A popular article in 2021 or 2022 was around 6k to 9k, so that's a big one. I suspect it will keep getting traffic for a long while.
  • Calibre replacement considerations: 15k visits, most of which without a referrer. Was actually an old article, but I suspect HN brought it back to light. I keep updating that wiki page regularly when I find new things, but I'm still using Calibre to import ebooks.
  • Hacking my Kobo Clara HD: is not new but always gathering more and more hits, it had 1800 hits in the first year, 4600 hits last year and now brought 6400 visitors to the blog! Not directly related, but this iFixit battery replacement guide I wrote also seem to be quite popular
Everything else was published before 2023. Replacing Smokeping with Prometheus is still around and Looking at Wayland terminal emulators makes an entry in the top five.

Where you've been People send less and less private information when they browse the web. The number of visitors without referrers was 41% in 2021, it rose to 44% in 2023. Most of the remaining traffic comes from Google, but Hacker News is now a significant chunk, almost as big as Google. In 2021, Google represented 23% of my traffic, in 2022, it was down to 15% so 18% is actually a rise from last year, even if it seems much smaller than what I usually think of.
Ratio Referrer Visits
18% Google 22 098
13% Hacker News 16 003
2% duckduckgo.com 2 640
1% community.frame.work 1 090
1% missing.csail.mit.edu 918
Note that Facebook and Twitter do not appear at all in my referrers.

Where you are Unsurprisingly, most visits still come from the US:
Ratio Country Visits
26% United States 32 010
14% France 17 046
10% Germany 11 650
6% Canada 7 425
5% United Kingdom 6 473
3% Netherlands 3 436
Those ratios are nearly identical to last year, but quite different from 2021, where Germany and France were more or less reversed. Back in 2021, I mentioned there was a long tail of countries with at least one visit, with 160 countries listed. I expanded that and there's now 182 countries in that list, almost all of the 193 member states in the UN.

What you were Chrome's dominance continues to expand, even on readers of this blog, gaining two percentage points from Firefox compared to 2021.
Ratio Browser Visits
49% Firefox 60 126
36% Chrome 44 052
14% Safari 17 463
1% Others N/A
It seems like, unfortunately, my Lynx and Haiku users have not visited in the past year. It seems like trying to read those metrics is like figuring out tea leaves... In terms of operating systems:
Ratio OS Visits
28% Linux 34 010
23% macOS 28 728
21% Windows 26 303
17% Android 20 614
10% iOS 11 741
Again, Linux and Mac are over-represented, and Android and iOS are under-represented.

What is next I hope to write more next year. I've been thinking about a few posts I could write for work, about how things work behind the scenes at Tor, that could be informative for many people. We run a rather old setup, but things hold up pretty well for what we throw at it, and it's worth sharing that with the world... So anyway, thanks for coming, faithful reader, and see you in the coming 2024 year...

Russ Allbery: Review: The Faithless

Review: The Faithless, by C.L. Clark
Series: Magic of the Lost #2
Publisher: Orbit
Copyright: March 2023
ISBN: 0-316-54283-0
Format: Kindle
Pages: 527
The Faithless is the second book in a political fantasy series that seems likely to be a trilogy. It is a direct sequel to The Unbroken, which you should read first. As usual, Orbit made it unnecessarily hard to get re-immersed in the world by refusing to provide memory aids for readers who read books as they come out instead of only when the series is complete, but this is not the fault of Clark or the book and you've heard me rant about this before. The Unbroken was set in Qaz l (not-Algeria). The Faithless, as readers of the first book might guess from the title, is set in Balladaire (not-France). This is the palace intrigue book. Princess Luca is fighting for her throne against her uncle, the regent. Touraine is trying to represent her people. Whether and to what extent those interests are aligned is much of the meat of this book. Normally I enjoy palace intrigue novels for the competence porn: watching someone navigate a complex political situation with skill and cunning, or upend the entire system by building unlikely coalitions or using unexpected routes to power. If you are similar, be warned that this is not what you're going to get. Touraine is a fish out of water with no idea how to navigate the Balladairan court, and does not magically become an expert in the course of this novel. Luca has the knowledge, but she's unsure, conflicted, and largely out-maneuvered. That means you will have to brace for some painful scenes of some of the worst people apparently getting what they want. Despite that, I could not put this down. It was infuriating, frustrating, and a much slower burn than I prefer, but the layers of complex motivations that Clark builds up provided a different sort of payoff. Two books in, the shape of this series is becoming clearer. This series is about empire and colonialism, but with considerably more complexity than fantasy normally brings to that topic. Power does not loosen its grasp easily, and it has numerous tools for subtle punishment after apparent upstart victories. Righteous causes rarely call banners to your side; instead, they create opportunities for other people to maneuver to their own advantage. Touraine has some amount of power now, but it's far from obvious how to use it. Her life's training tells her that exercising power will only cause trouble, and her enemies are more than happy to reinforce that message at every opportunity. Most notable to me is Clark's bitingly honest portrayal of the supposed allies within the colonial power. It is clear that Luca is attempting to take the most ethical actions as she defines them, but it's remarkable how those efforts inevitably imply that Touraine should help Luca now in exchange for Luca's tenuous and less-defined possible future aid. This is not even a lie; it may be an accurate summary of Balladairan politics. And yet, somehow what Balladaire needs always matters more than the needs of their abused colony. Underscoring this, Clark introduces another faction in the form of a populist movement against the Balladairan monarchy. The details of that setup in another fantasy novel would make them allies of the Qaz l. Here, as is so often the case in real life, a substantial portion of the populists are even more xenophobic and racist than the nobility. There are no easy alliances. The trump card that Qaz l holds is magic. They have it, and (for reasons explored in The Unbroken) Balladaire needs it, although that is a position held by Luca's faction and not by her uncle. But even Luca wants to reduce that magic to a manageable technology, like any other element of the Balladairan state. She wants to understand it, harness it, and bring it under local control. Touraine, trained by Balladaire and facing Balladairan political problems, has the same tendency. The magic, at least in this book, refuses not in the flashy, rebellious way that it would in most fantasy, but in a frustrating and incomprehensible lack of predictable or convenient rules. I think this will feel like a plot device to some readers, and that is to some extent true, but I think I see glimmers of Clark setting up a conflict of world views that will play out in the third book. I think some people are going to bounce off this book. It's frustrating, enraging, at times melodramatic, and does not offer the cathartic payoff typically offered in fantasy novels of this type. Usually these are things I would be complaining about as well. And yet, I found it satisfyingly challenging, engrossing, and memorable. I spent a lot of the book yelling "just kill him already" at the characters, but I think one of Clark's points is that overcoming colonial relationships requires a lot more than just killing one evil man. The characters profoundly fail to execute some clever and victorious strategy. Instead, as in the first book, they muddle through, making the best choice that they can see in each moment, making lots of mistakes, and paying heavy prices. It's realistic in a way that has nothing to do with blood or violence or grittiness. (Although I did appreciate having the thin thread of Pruett's story and its highly satisfying conclusion.) This is also a slow-burn romance, and there too I think opinions will differ. Touraine and Luca keep circling back to the same arguments and the same frustrations, and there were times that this felt repetitive. It also adds a lot of personal drama to the politics in a way that occasionally made me dubious. But here too, I think Clark is partly using the romance to illustrate the deeper political points. Luca is often insufferable, cruel and ambitious in ways she doesn't realize, and only vaguely able to understand the Qaz l perspective; in short, she's the pragmatic centrist reformer. I am dubious that her ethics would lead her to anything other than endless compromise without Touraine to push her. To Luca's credit, she also realizes that and wants to be a better person, but struggles to have the courage to act on it. Touraine both does and does not want to manipulate her; she wants Luca's help (and more), but it's not clear Luca will give it under acceptable terms, or even understand how much she's demanding. It's that foundational conflict that turns the romance into a slow burn by pushing them apart. Apparently I have more patience for this type of on-again, off-again relationship than one based on artificial miscommunication. The more I noticed the political subtext, the more engaging I found the romance on the surface. I picked this up because I'd read several books about black characters written by white authors, and while there was nothing that wrong with those books, the politics felt a little too reductionist and simplified. I wanted a book that was going to force me out of comfortable political assumptions. The Faithless did exactly what I was looking for, and I am definitely here for the rest of the series. In that sense, recommended, although do not go into this book hoping for adroit court maneuvering and competence porn. Followed by The Sovereign, which does not yet have a release date. Content warnings: Child death, attempted cultural genocide. Rating: 7 out of 10

5 January 2024

Valhalla's Things: Random Sashiko + Crazy Quilt Pocket

Posted on January 5, 2024
Tags: madeof:atoms
A 18th century pocket in black jeans with a random pattern of pink running stitches forming squares and other shapes. The unfinished edges of the pieces of jeans can be seen, running more or less diagonally. Lately I ve seen people on the internet talking about victorian crazy quilting. Years ago I had watched a Numberphile video about Hitomezashi Stitch Patterns based on numbers, words or randomness. Few weeks ago I had cut some fabric piece out of an old pair of jeans and I had a lot of scraps that were too small to do anything useful on their own. It easy to see where this can go, right? The wrong side of a pocket piece, showing a light coloured fabric with a grid drawn in pencil, a line of small stitches all around the edges and a mess of thread ends left hanging. I cut a pocket shape out of old garment mockups (this required some piecing), drew a square grid, arranged scraps of jeans to cover the other side, kept everything together with a lot of pins, carefully avoided basting anything, and started covering everything in sashiko / hitomezashi stitches, starting each line with a stitch on the front or the back of the work based on the result of: 
import random
random.choice(["front", "back"])
The wrong side of the other pocket piece, with just three lines of stitching and a piece of paper to mark the pattern. There are bits of jeans peeking out of the sides. For the second piece I tried to use a piece of paper with the square grid instead of drawing it on the fabric: it worked, mostly, I would not do it again as removing the paper was more of a hassle than drawing the lines in the first place. I suspected it, but had to try it anyway. The front of the pocket seen from the wrong side, with a machine seam around the lit, whose end has been cut in a triangle so that it can be turned. Then I added a lining from some plain black cotton from the stash; for the slit I put the lining on the front right sides together, sewn at 2 mm from the marked slit, cut it, turned the lining to the back side, pressed and then topstitched as close as possible to the slit from the front. The finished pocket attached to a belt made from the waistband of a pair of jeans (with button, buttonhole and belt loops still attached) whose raw edges (left when unpicking away the jeans) have been sewn shut by hand. I bound everything with bias tape, adding herringbone tape loops at the top to hang it from a belt (such as one made from the waistband of one of the donor pair of jeans) and that was it. The back of the pocket, showing another random pattern in two different shades of pink for the vertical and horizontal lines of stitching. I like the way the result feels; maybe it s a bit too stiff for a pocket, but I can see it work very well for a bigger bag, and maybe even a jacket or some other outer garment.

1 January 2024

Russ Allbery: 2023 Book Reading in Review

In 2023, I finished and reviewed 53 books, continuing a trend of year-over-year increases and of reading the most books since 2012 (the last year I averaged five books a month). Reviewing continued to be uneven, with a significant slump in the summer and smaller slumps in February and November, and a big clump of reviews finished in October in addition to my normal year-end reading and reviewing vacation. The unevenness this year was mostly due to finishing books and not writing reviews immediately. Reviews are much harder to write when the finished books are piling up, so one goal for 2024 is to not let that happen again. I enter the new year with one book finished and not yet reviewed, after reading a book about every day and a half during my December vacation. I read two all-time favorite books this year. The first was Emily Tesh's debut novel Some Desperate Glory, which is one of the best space opera novels I have ever read. I cannot improve on Shelley Parker-Chan's blurb for this book: "Fierce and heartbreakingly humane, this book is for everyone who loved Ender's Game, but Ender's Game didn't love them back." This is not hard science fiction but it is fantastic character fiction. It was exactly what I needed in the middle of a year in which I was fighting a "burn everything down" mood. The second was Night Watch by Terry Pratchett, the 29th Discworld and 6th Watch novel. Throughout my Discworld read-through, Pratchett felt like he was on the cusp of a truly stand-out novel, one where all the pieces fit and the book becomes something more than the sum of its parts. This was that book. It's a book about ethics and revolutions and governance, but also about how your perception of yourself changes as you get older. It does all of the normal Pratchett things, just... better. While I would love to point new Discworld readers at it, I think you do have to read at least the Watch novels that came before it for it to carry its proper emotional heft. This was overall a solid year for fiction reading. I read another 15 novels I rated 8 out of 10, and 12 that I rated 7 out of 10. The largest contributor to that was my Discworld read-through, which was reliably entertaining throughout the year. The run of Discworld books between The Fifth Elephant (read late last year) and Wintersmith (my last of this year) was the best run of Discworld novels so far. One additional book I'll call out as particularly worth reading is Thud!, the Watch novel after Night Watch and another excellent entry. I read two stand-out non-fiction books this year. The first was Oliver Darkshire's delightful memoir about life as a rare book seller, Once Upon a Tome. One of the things I will miss about Twitter is the regularity with which I stumbled across fascinating people and then got to read their books. I'm off Twitter permanently now because the platform is designed to make me incoherently angry and I need less of that in my life, but it was very good at finding delightfully quirky books like this one. My other favorite non-fiction book of the year was Michael Lewis's Going Infinite, a profile of Sam Bankman-Fried. I'm still bemused at the negative reviews that this got from people who were upset that Lewis didn't turn the story into a black-and-white morality play. Bankman-Fried's actions were clearly criminal; that's not in dispute. Human motivations can be complex in ways that are irrelevant to the law, and I thought this attempt to understand that complexity by a top-notch storyteller was worthy of attention. Also worth a mention is Tony Judt's Postwar, the first book I reviewed in 2023. A sprawling history of post-World-War-II Europe will never have the sheer readability of shorter, punchier books, but this was the most informative book that I read in 2023. 2024 should see the conclusion of my Discworld read-through, after which I may return to re-reading Mercedes Lackey or David Eddings, both of which I paused to make time for Terry Pratchett. I also have another re-read similar to my Chronicles of Narnia reviews that I've been thinking about for a while. Perhaps I will start that next year; perhaps it will wait for 2025. Apart from that, my intention as always is to read steadily, write reviews as close to when I finished the book as possible, and make reading time for my huge existing backlog despite the constant allure of new releases. Here's to a new year full of more new-to-me books and occasional old favorites. The full analysis includes some additional personal reading statistics, probably only of interest to me.

30 December 2023

Russ Allbery: Review: The Hound of Justice

Review: The Hound of Justice, by Claire O'Dell
Series: Janet Watson Chronicles #2
Publisher: Harper Voyager
Copyright: July 2019
ISBN: 0-06-269938-5
Format: Kindle
Pages: 325
The Hound of Justice is a near-future thriller novel with Sherlock Holmes references. It is a direct sequel to A Study in Honor. This series is best read in order. Janet Watson is in a much better place than she was in the first book. She has proper physical therapy, a new arm, and a surgeon's job waiting for her as soon as she can master its features. A chance meeting due to an Inauguration Day terrorist attack may even develop into something more. She just needs to get back into the operating room and then she'll feel like her life is back on track. Sara Holmes, on the other hand, is restless, bored, and manic, rudely intruding on Watson's date. Then she disappears, upending Watson's living arrangements. She's on the trail of something. When mysterious destructible notes start appearing in Watson's books, it's clear that she wants help. The structure of this book didn't really work for me. The first third or so is a slice-of-life account of Watson's attempt to resume her career as a surgeon against a backdrop of ongoing depressing politics. This part sounds like the least interesting, but I was thoroughly engrossed. Watson is easy to care about, hospital politics are strangely interesting, and while the romance never quite clicked for me, it had potential. I was hoping for another book like A Study in Honor, where Watson's life and Holmes's investigations entwine and run in parallel. That was not to be. The middle third of the book pulls Watson away to Georgia and a complicated mix of family obligations and spy-novel machinations. If this had involved Sara's fae strangeness, verbal sparring, and odd tokens of appreciation, maybe it would have worked, but Sara Holmes is entirely off-camera. Watson is instead dealing with a minor supporting character from the first book, who drags her through disguises, vehicle changes, and border stops in a way that felt excessive and weirdly out of place. (Other reviews say that this character is the Mycroft Holmes equivalent; the first initial of Micha's name fits, but nothing else does so far as I can tell.) Then the last third of the novel turns into a heist. I like a heist novel as much as the next person, but a good heist story needs a team with chemistry and interplay, and I didn't know any of these people. There was way too little Sara Holmes, too much of Watson being out of her element in a rather generic way, and too many steps that Watson is led through without giving the reader a chance to enjoy the competence of the team. It felt jarring and disconnected, like Watson got pulled out of one story and dropped into an entirely different story without a proper groundwork. The Hound of Justice still has its moments. Watson is a great character and I'm still fully invested in her life. She was pulled into this mission because she's the person Holmes knows with the appropriate skills, and when she finally gets a chance to put those skills to use, it's quite satisfying. But, alas, the magic of A Study in Honor simply isn't here, in part because Sara Holmes is missing for most of the book and her replacements and stand-ins are nowhere near as intriguing. The villain's plan seems wildly impractical and highly likely to be detected, and although I can come up with some explanations to salvage it, those don't appear in the book. And, as in the first book, the villain seems very one-dimensional and simplistic. This is certainly not a villain worthy of Holmes. Fittingly, given the political movements O'Dell is commenting on, a lot of this book is about racial politics. O'Dell contrasts the microaggressions and more subtle dangers for Watson as a black woman in Washington, D.C., with the more explicit and active racism of the other places to which she travels over the course of the story. She's trying very hard to give the reader a feeling for what it's like to be black in the United States. I don't have any specific complaints about this, and I'm glad she's attempting it, but I came away from this book with a nagging feeling that Watson's reactions were a tiny bit off. It felt like a white person writing about racism rather than a black person writing about racism: nothing is entirely incorrect, but the emotional beats aren't quite where black authors would put them. I could be completely wrong about this, and am certainly much less qualified to comment than O'Dell is, but there were enough places that landed slightly wrong that I wanted to note it. I would still recommend A Study in Honor, but I'm not sure I can recommend this book. This is one of those series where the things that I enjoyed the most about the first book weren't what the author wanted to focus on in subsequent books. I would read more about the day-to-day of Watson's life, and I would certainly read more of Holmes and Watson sparring and circling and trying to understand each other. I'm less interested in somewhat generic thrillers with implausible plots and Sherlock Holmes references. At the moment, this is academic, since The Hound of Justice is the last book of the series so far. Rating: 6 out of 10

29 December 2023

Ulrike Uhlig: How do kids conceive the internet? - part 4

Read all parts of the series Part 1 // Part 2 // Part 3 // Part 4 I ve been wanting to write this post for over a year, but lacked energy and time. Before 2023 is coming to an end, I want to close this series and share some more insights with you and hopefully provide you with a smile here and there. For this round of interviews, four more kids around the ages of 8 to 13 were interviewed, 3 of them have a US background these 3 interviews were done by a friend who recorded these interviews for me, thank you! As opposed to the previous interviews, these four kids have parents who have a more technical professional background. And this seems to make a difference: even though none of these kids actually knew much better how the internet really works than the other kids that I interviewed, specifically in terms of physical infrastructures, they were much more confident in using the internet, they were able to more correctly name things they see on the internet, and they had partly radical ideas about what they would like to learn or what they would want to change about the internet! Looking at these results, I think it s safe to say that social reproduction is at work and that we need to improve education for kids who do not profit from this type of social and cultural wealth at home. But let s dive into the details.

The boy and the aliens (I ll be mostly transribing the interview, which was short, and which I find difficult to sum up because some of the questions are written in a way to encourage the kids to tell a story, and this particular kid had a thing going on with aliens.) He s a 13 year old boy living in the US. He has his own computer, which technically belongs to his school but can be used by him freely and he can also take it home. He s the first kid saying he s reading the news on the internet; he does not actually use social media, besides sometimes watching TikTok. When asked: Imagine that aliens land and come to you and say: We ve heard about this internet thing you all talk about, what is it? What do you tell them? he replied:
Well, I mean they re aliens, so I don t know if I wanna tell them much.
(Parents laughing in the background.) Let s assume they re friendly aliens.
Well, I would say you can look anything up and play different games. And there are alien games. But mostly the enemies are aliens which you might be a little offended by. And you can get work done, if you needed to spy on humans. There s cameras, you can film yourself, yeah. And you can text people and call people who are far away
And what would be in a drawing that would explain the internet? Google, an alien using Twitch, Google search results, and the interface of an IM software on an iPhone drawn by a 13 year old boy And here s what he explains about his drawing:
First, I would draw what I see when you open a new tab, Google.
On the right side of the drawing we see something like Twitch.
I don t wanna offend the aliens, but you can film yourself playing a game, so here is the alien and he s playing a game.
And then you can ask questions like: How did aliens come to the Earth? And the answer will be here (below). And there ll be different websites that you can click on.
And you can also look up Who won the alien contest? And that would be Usmushgagu, and that guy won the alien contest.
Do you think the information about alien intergalactic football is already on the internet?
Yeah! That s how fast the internet is.
On the bottom of the drawing we see an iPhone and an instant messaging software.
There s also a device called an iPhone and with it you can text your friends. So here s the alien asking: How was ur day? and the friend might answer IDK [I don t know].
Imagine that a wise and friendly dragon could teach you one thing about the internet that you ve always wanted to know. What would you ask the dragon to teach you about?
Is there a way you don t have to pay for any channels or subscriptions and you can get through any firewall?
Imagine you could make the internet better for everyone. What would you do first?
Well you wouldn t have to pay for it [paywalls].
Can you describe what happens between your device and a website when you visit a website?
Well, it takes 0.025 seconds. [ ] It s connecting.
Wow, that s indeed fast! We were not able to obtain more details about what is that fast thing that s happening exactly

The software engineer s kid This kid identifies as neither boy nor girl, is 10 years old and lives in Germany. Their father works as a software engineer, or in the words of the child:
My dad knows everything.
The kid has a laptop and a mobile phone, both with parental control they don t think that the controlling is fair. This kid uses the internet foremostly for listening to music and watching prank channels on Youtube but also to work with Purple Mash (a teaching platform for the computing curriculum used at their school), finding 3d printing models (that they ask their father to print with them because they did not manage to use the printer by themselves yet). Interestingly, and very differently from the non-tech-parent kids, this kid insists on using Firefox and Signal - the latter is not only used by their dad to tell them to come downstairs for dinner, but also to call their grandmother. This kid also shops online, with the help of the father who does the actual shopping for them using money that the kid earned by reading books. If you would need to explain to an alien who has landed on Earth what the internet is, what would you tell them?
The internet is something where you search, for example, you can look for music. You can also watch videos from around the world, and you can program stuff.
Like most of the kids interviewed, this kid uses the internet mostly for media consumption, but with the difference that they also engage with technology by way of programming using Purple Mash. drawing of the internet by a 10 year old showing a Youtube prank channel, an external device trackpad, and headphones In their drawing we see a Youtube prank channel on a screen, an external trackpad on the right (likely it s not a touch screen), and headphones. Notice how there is no keyboard, or maybe it s folded away. If you could ask a nice and friendly dragon anything you d like to learn about the internet, what would it be?
How do I shutdown my dad s computer forever?
And what is it that he would do to improve the internet for everyone? Contrary to the kid living in the US, they think that
It takes too much time to load stuff!
I wonder if this kid experiences the internet as being slow because they use the mobile network or because their connection somehow gets throttled as a way to control media consumption, or if the German internet infrastructure is just so much worse in certain regions If you could improve the internet for everyone, what would you do first? I d make a new Firefox app that loads the internet much faster.

The software engineer s daughter This girl is only 8 years old, she hates unicorns, and her dad is also a software engineer. She uses a smartphone, controlled by her parents. My impression of the interview is that at this age, kids slightly mix up the internet with the devices that they use to access the internet. drawing of the internet by an 8 year old girl, Showing Google and the interface to call and text someone In her drawing, we see again Google - it s clearly everywhere - and also the interfaces for calling and texting someone. To explain what the internet is, besides the fact that one can use it for calling and listening to music, she says:
[The internet] is something that you can [use to] see someone who is far away, so that you don t need to take time to get to them.
Now, that s a great explanation, the internet providing the possibility for communication over a distance :) If she could ask a friendly dragon something she always wanted to know, she d ask how to make her phone come alive:
that it can talk to you, that it can see you, that it can smile and has eyes. It s like a new family member, you can talk to it.
Sounds a bit like Siri, Alexa, or Furby, doesn t it? If you could improve the internet for everyone, what would you do first? She d have the phone be able to decide over her free time, her phone time. That would make the world better, not for the kids, but certainly for the parents.

The antifascist kid This German boy s dad has a background in electrotechnical engineering. He s 10 years old and he told me he s using the internet a lot for searching things for example about his passion: the firefighters. For him, the internet is:
An invisible world. A virtual world. But there s also the darknet.
He told me he always watches that German show on public TV for kids that explains stuff: Checker Tobi. (In 2014, Checker Tobi actually produced an episode about the internet, which I d criticize for having only male characters, except for one female character: a secretary Google, a nice and friendly woman guiding the way through the huge library that s the internet ) This kid was the only one interviewed who managed to actually explain something about the internet, or rather about the hypertextual structure of the web. When I asked him to draw the internet, he made a drawing of a pin board. He explained:
Many items are attached to the pin board, and on the top left corner there s a computer, for example with Youtube and one can navigate like that between all the items, and start again from the beginning when done.
hypertext structure representing the internet drawn by a kid When I asked if he knew what actually happens between the device and a website he visits, he put forth the hypothesis of the existence of some kind of
Waves, internet waves - all this stuff somehow needs to be transmitted.
What he d like to learn:
How to get into the darknet? How do you become a Whitehat? I ve heard these words on the internet, the internet makes me clever.
And what would he change on the internet if he could?
I want that right wing extreme stuff is not accessible anymore, or at least, that it rains turds ( Kackw rste ) whenever people watch such stuff. Or that people are always told: This video is scum.
I suspect that his father has been talking with him about these things, and maybe these are also subjects he heard about when listening to punk music (he told me he does), or browsing Youtube.

Future projects To me this has been pretty insightful. I might share some more internet drawings by adults in the future, which I think are also really interesting, as they show very different things depending on the age of the person. I ve been using the information gathered to work on a children s book which I hope to be able to share with you next year.

Russ Allbery: Review: The Afterward

Review: The Afterward, by E.K. Johnston
Publisher: Dutton Books
Copyright: February 2019
Printing: 2020
ISBN: 0-7352-3190-7
Format: Kindle
Pages: 339
The Afterward is a standalone young adult high fantasy with a substantial romance component. The title is not misspelled. Sir Erris and her six companions, matching the number of the new gods, were successful in their quest for the godsgem. They defeated the Old God and destroyed Him forever, freeing King Dorrenta from his ensorcellment, and returned in triumph to Cadrium to live happily ever after. Or so the story goes. Sir Erris and three of the companions are knights. Another companion is the best mage in the kingdom. Kalanthe Ironheart, who distracted the Old God at a critical moment and allowed Sir Erris to strike, is only an apprentice due to her age, but surely will become a great knight. And then there is Olsa Rhetsdaughter, the lowborn thief, now somewhat mockingly called Thief of the Realm for all the good that does her. The reward was enough for her to buy her freedom from the Thief's Court. It was not enough to pay for food after that, or enough for her to change her profession, and the Thief's Court no longer has any incentive to give her easy (or survivable) assignments. Kalanthe is in a considerably better position, but she still needs a good marriage. Her reward paid off half of her debt, which broadens her options, but she's still a debt-knight, liable for the full cost of her training once she reaches the age of nineteen. She's mostly made her peace with the decisions she made given her family's modest means, but marriages of that type are usually for heirs, and Kalanthe is not looking forward to bearing a child. Or, for that matter, sleeping with a man. Olsa and Kalanthe fell in love during the Quest. Given Kalanthe's debt and the way it must be paid, and her iron-willed determination to keep vows, neither of them expected their relationship to survive the end of the Quest. Both of them wish that it had. The hook is that this novel picks up after the epic fantasy quest is over and everyone went home. This is not an entirely correct synopsis; chapters of The Afterward alternate between "After" and "Before" (and one chapter delightfully titled "More or less the exact moment of"), and by the end of the book we get much of the story of the Quest. It's not told from the perspective of the lead heroes, though; it's told by following Kalanthe and Olsa, who would be firmly relegated to supporting characters in a typical high fantasy. And it's largely told through the lens of their romance. This is not the best fantasy novel I've read, but I had a fun time with it. I am now curious about the intended audience and marketing, though. It was published by a YA imprint, and both the ages of the main characters and the general theme of late teenagers trying to chart a course in an adult world match that niche. But it's also clearly intended for readers who have read enough epic fantasy quests that they will both be amused by the homage and not care that the story elides a lot of the typical details. Anyone who read David Eddings at an impressionable age will enjoy the way Johnston pokes gentle fun at The Belgariad (this book is dedicated to David and Leigh Eddings), but surely the typical reader of YA fantasy these days isn't also reading Eddings. I'm therefore not quite sure who this book was for, but apparently that group included me. Johnston thankfully is not on board with the less savory parts of Eddings's writing, as you might have guessed from the sapphic romance. There is no obnoxious gender essentialism here, although there do appear to be gender roles that I never quite figured out. Knights are referred to as sir, but all of the knights in this story are women. Men still seem to run a lot of things (kingdoms, estates, mage colleges), but apart from the mage, everyone on the Quest was female, and there seems to be an expectation that women go out into the world and have adventures while men stay home. I'm not sure if there was an underlying system that escaped me, or if Johnston just mixed things up for the hell of it. (If the latter, I approve.) This book does suffer a bit from addressing some current-day representation issues without managing to fold them naturally into the story or setting. One of the Quest knights is transgender, something that's revealed in a awkward couple of paragraphs and then never mentioned again. Two of the characters have a painfully earnest conversation about the word "bisexual," complete with a strained attempt at in-universe etymology. Racial diversity (Olsa is black, and Kalanthe is also not white) seemed to be handled a bit better, although I am not the reader to notice if the discussions of hair maintenance were similarly awkward. This is way better than no representation and default-white characters, to be clear, but it felt a bit shoehorned in at times and could have used some more polish. These are quibbles, though. Olsa was the heart of the book for me, and is exactly the sort of character I like to read about. Kalanthe is pure stubborn paladin, but I liked her more and more as the story continued. She provides a good counterbalance to Olsa's natural chaos. I do wish Olsa had more opportunities to show her own competence (she's not a very good thief, she's just the thief that Sir Erris happened to know), but the climax of the story was satisfying. My main grumble is that I badly wanted to dwell on the happily-ever-after for at least another chapter, ideally two. Johnston was done with the story before I was. The writing was serviceable but not great and there are some bits that I don't think would stand up to a strong poke, but the characters carried the story for me. Recommended if you'd like some sapphic romance and lightweight class analysis complicating your Eddings-style quest fantasy. Rating: 7 out of 10

28 December 2023

Russ Allbery: Review: Nettle & Bone

Review: Nettle & Bone, by T. Kingfisher
Publisher: Tor
Copyright: 2022
ISBN: 1-250-24403-X
Format: Kindle
Pages: 242
Nettle & Bone is a standalone fantasy novel with fairy tale vibes. T. Kingfisher is a pen name for Ursula Vernon. As the book opens, Marra is giving herself a blood infection by wiring together dog bones out of a charnel pit. This is the second of three impossible tasks that she was given by the dust-wife. Completing all three will give her the tools to kill a prince. I am a little cautious of which T. Kingfisher books I read since she sometimes writes fantasy and sometimes writes horror and I don't get along with horror. This one seemed a bit horrific in the marketing, so I held off on reading it despite the Hugo nomination. It turns out to be just on the safe side of my horror tolerance, with only a couple of parts that I read a bit quickly. One of those is the opening, which I am happy to report does not set the tone for the rest of the book. Marra starts the story in a wasteland full of disease, madmen, and cannibals (who, in typical Ursula Vernon fashion, turn out to be nicer than the judgmental assholes outside of the blistered land). She doesn't stay there long. By chapter two, the story moves on to flashbacks explaining how Marra ended up there, alternating with further (and less horrific) steps in her quest to kill the prince of the Northern Kingdom. Marra is a princess of a small, relatively poor coastal kingdom with a good harbor and acquisitive neighbors. Her mother, the queen, has protected the kingdom through arranged marriage of her daughters to the prince of the Northern Kingdom, who rules it in all but name given the mental deterioration of his father the king. Marra's eldest sister Damia was first, but she died suddenly and mysteriously in a fall. (If you're thinking about the way women are injured by "accident," you have the right idea.) Kania, the middle sister, is next to marry; she lives, but not without cost. Meanwhile, Marra is sent off to a convent to ensure that there are no complicating potential heirs, and to keep her on hand as a spare. I won't spoil the entire backstory, but you do learn it all. Marra is a typical Kingfisher protagonist: a woman who is way out of her depth who persists with stubbornness, curiosity, and innate decency because what else is there to do? She accumulates the typical group of misfits and oddballs common in Kingfisher's quest fantasies, characters that in the Chosen One male fantasy would be supporting characters at best. The bone-wife is a delight; her chicken is even better. There are fairy godmothers and a goblin market and a tooth extraction that was one of the creepiest things I've read without actually being horror. It is, in short, a Kingfisher fantasy novel, with a touch more horror than average but not enough to push it out of the fantasy genre. I think my favorite part of this book was not the main quest. It was the flashback scenes set in the convent, where Marra has the space (and the mentorship) to develop her sense of self.
"We're a mystery religion," said the abbess, when she'd had a bit more wine than usual, "for people who have too much work to do to bother with mysteries. So we simply get along as best we can. Occasionally someone has a vision, but [the goddess] doesn't seem to want anything much, and so we try to return the favor."
If you have read any other Kingfisher novels, much of this will be familiar: the speculative asides, the dogged determination, the slightly askew nature of the world, the vibes-based world-building that feels more like a fairy tale than a carefully constructed magic system, and the sense that the main characters (and nearly all of the supporting characters) are average people trying to play the hands they were dealt as ethically as they can. You will know that the tentative and woman-initiated romance is coming as soon as the party meets the paladin type who is almost always the romantic interest in one of these books. The emotional tone of the book is a bit predictable for regular readers, but Ursula Vernon's brain is such a delightful place to spend some time that I don't mind.
Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died.
Nettle & Bone won the Hugo for Best Novel in 2023. I'm not sure why this specific T. Kingfisher novel won and not any of the half-dozen earlier novels she's written in a similar style, but sure, I have no objections. I'm glad one of them won; they're all worth reading and hopefully that will help more people discover this delightful style of fantasy that doesn't feel like what anyone else is doing. Recommended, although be prepared for a few more horror touches than normal and a rather grim first chapter. Content warnings: domestic abuse. The dog... lives? Is equally as alive at the end of the book as it was at the end of the first chapter? The dog does not die; I'll just leave it at that. (Neither does the chicken.) Rating: 8 out of 10

27 December 2023

Russ Allbery: Review: A Study in Scarlet

Review: A Study in Scarlet, by Arthur Conan Doyle
Series: Sherlock Holmes #1
Publisher: AmazonClassics
Copyright: 1887
Printing: February 2018
ISBN: 1-5039-5525-7
Format: Kindle
Pages: 159
A Study in Scarlet is the short mystery novel (probably a novella, although I didn't count words) that introduced the world to Sherlock Holmes. I'm going to invoke the 100-year-rule and discuss the plot of this book rather freely on the grounds that even someone who (like me prior to a few days ago) has not yet read it is probably not that invested in avoiding all spoilers. If you do want to remain entirely unspoiled, exercise caution before reading on. I had somehow managed to avoid ever reading anything by Arthur Conan Doyle, not even a short story. I therefore couldn't be sure that some of the assertions I was making in my review of A Study in Honor were correct. Since A Study in Scarlet would be quick to read, I decided on a whim to do a bit of research and grab a free copy of the first Holmes novel. Holmes is such a part of English-speaking culture that I thought I had a pretty good idea of what to expect. This was largely true, but cultural osmosis had somehow not prepared me for the surprise Mormons. A Study in Scarlet establishes the basic parameters of a Holmes story: Dr. James Watson as narrator, the apartment he shares with Holmes at 221B Baker Street, the Baker Street Irregulars, Holmes's competition with police detectives, and his penchant for making leaps of logical deduction from subtle clues. The story opens with Watson meeting Holmes, agreeing to split the rent of a flat, and being baffled by the apparent randomness of Holmes's fields of study before Holmes reveals he's a consulting detective. The first case is a murder: a man is found dead in an abandoned house, without a mark on him although there are blood splatters on the walls and the word "RACHE" written in blood. Since my only prior exposure to Holmes was from cultural references and a few TV adaptations, there were a few things that surprised me. One is that Holmes is voluble and animated rather than aloof. Doyle is clearly going for passionate eccentric rather than calculating mastermind. Another is that he is intentionally and unabashedly ignorant on any topic not related to solving mysteries.
My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. "You appear to be astonished," he said, smiling at my expression of surprise. "Now that I do know it I shall do my best to forget it." "To forget it!" "You see," he explained, "I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you chose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones."
This is directly contrary to my expectation that the best way to make leaps of deduction is to know something about a huge range of topics so that one can draw unexpected connections, particularly given the puzzle-box construction and odd details so beloved in classic mysteries. I'm now curious if Doyle stuck with this conception, and if there were any later mysteries that involved astronomy. Speaking of classic mysteries, A Study in Scarlet isn't quite one, although one can see the shape of the genre to come. Doyle does not "play fair" by the rules that have not yet been invented. Holmes at most points knows considerably more than the reader, including bits of evidence that are not described until Holmes describes them and research that Holmes does off-camera and only reveals when he wants to be dramatic. This is not the sort of story where the reader is encouraged to try to figure out the mystery before the detective. Rather, what Doyle seems to be aiming for, and what Watson attempts (unsuccessfully) as the reader surrogate, is slightly different: once Holmes makes one of his grand assertions, the reader is encouraged to guess what Holmes might have done to arrive at that conclusion. Doyle seems to want the reader to guess technique rather than outcome, while providing only vague clues in general descriptions of Holmes's behavior at a crime scene. The structure of this story is quite odd. The first part is roughly what you would expect: first-person narration from Watson, supposedly taken from his journals but not at all in the style of a journal and explicitly written for an audience. Part one concludes with Holmes capturing and dramatically announcing the name of the killer, who the reader has never heard of before. Part two then opens with... a western?
In the central portion of the great North American Continent there lies an arid and repulsive desert, which for many a long year served as a barrier against the advance of civilization. From the Sierra Nevada to Nebraska, and from the Yellowstone River in the north to the Colorado upon the south, is a region of desolation and silence. Nor is Nature always in one mood throughout the grim district. It comprises snow-capped and lofty mountains, and dark and gloomy valleys. There are swift-flowing rivers which dash through jagged ca ons; and there are enormous plains, which in winter are white with snow, and in summer are grey with the saline alkali dust. They all preserve, however, the common characteristics of barrenness, inhospitality, and misery.
First, I have issues with the geography. That region contains some of the most beautiful areas on earth, and while a lot of that region is arid, describing it primarily as a repulsive desert is a bit much. Doyle's boundaries and distances are also confusing: the Yellowstone is a northeast-flowing river with its source in Wyoming, so the area between it and the Colorado does not extend to the Sierra Nevadas (or even to Utah), and it's not entirely clear to me that he realizes Nevada exists. This is probably what it's like for people who live anywhere else in the world when US authors write about their country. But second, there's no Holmes, no Watson, and not even the pretense of a transition from the detective novel that we were just reading. Doyle just launches into a random western with an omniscient narrator. It features a lean, grizzled man and an adorable child that he adopts and raises into a beautiful free spirit, who then falls in love with a wild gold-rush adventurer. This was written about 15 years before the first critically recognized western novel, so I can't blame Doyle for all the cliches here, but to a modern reader all of these characters are straight from central casting. Well, except for the villains, who are the Mormons. By that, I don't mean that the villains are Mormon. I mean Brigham Young is the on-page villain, plotting against the hero to force his adopted daughter into a Mormon harem (to use the word that Doyle uses repeatedly) and ruling Salt Lake City with an iron hand, border guards with passwords (?!), and secret police. This part of the book was wild. I was laughing out-loud at the sheer malevolent absurdity of the thirty-day countdown to marriage, which I doubt was the intended effect. We do eventually learn that this is the backstory of the murder, but we don't return to Watson and Holmes for multiple chapters. Which leads me to the other thing that surprised me: Doyle lays out this backstory, but then never has his characters comment directly on the morality of it, only the spectacle. Holmes cares only for the intellectual challenge (and for who gets credit), and Doyle sets things up so that the reader need not concern themselves with aftermath, punishment, or anything of that sort. I probably shouldn't have been surprised this does fit with the Holmes stereotype but I'm used to modern fiction where there is usually at least some effort to pass judgment on the events of the story. Doyle draws very clear villains, but is utterly silent on whether the murder is justified. Given its status in the history of literature, I'm not sorry to have read this book, but I didn't particularly enjoy it. It is very much of its time: everyone's moral character is linked directly to their physical appearance, and Doyle uses the occasional racial stereotype without a second thought. Prevailing writing styles have changed, so the prose feels long-winded and breathless. The rivalry between Holmes and the police detectives is tedious and annoying. I also find it hard to read novels from before the general absorption of techniques of emotional realism and interiority into all genres. The characters in A Study in Scarlet felt more like cartoon characters than fully-realized human beings. I have no strong opinion about the objective merits of this book in the context of its time other than to note that the sudden inserted western felt very weird. My understanding is that this is not considered one of the better Holmes stories, and Holmes gets some deeper characterization later on. Maybe I'll try another of Doyle's works someday, but for now my curiosity has been sated. Followed by The Sign of the Four. Rating: 4 out of 10

26 December 2023

Russ Allbery: Review: A Study in Honor

Review: A Study in Honor, by Claire O'Dell
Series: Janet Watson Chronicles #1
Publisher: Harper Voyager
Copyright: July 2018
ISBN: 0-06-269932-6
Format: Kindle
Pages: 295
A Study in Honor is a near-future science fiction novel by Claire O'Dell, a pen name for Beth Bernobich. You will see some assertions, including by the Lambda Literary Award judges, that it is a mystery novel. There is a mystery, but... well, more on that in a moment. Janet Watson was an Army surgeon in the Second US Civil War when New Confederacy troops overran the lines in Alton, Illinois. Watson lost her left arm to enemy fire. As this book opens, she is returning to Washington, D.C. with a medical discharge, PTSD, and a field replacement artificial arm scavenged from a dead soldier. It works, sort of, mostly, despite being mismatched to her arm and old in both technology and previous wear. It does not work well enough for her to resume her career as a surgeon. Watson's plan is to request a better artificial arm from the VA (the United States Department of Veterans Affairs, which among other things is responsible for the medical care of wounded veterans). That plan meets a wall of unyielding and uninterested bureaucracy. She has a pension, but it's barely enough for cheap lodging. A lifeline comes in the form of a chance encounter with a former assistant in the Army, who has a difficult friend looking to split the cost of an apartment. The name of that friend is Sara Holmes. At this point, you know what to expect. This is clearly one of the many respinnings of Arthur Conan Doyle. This time, the setting is in the future and Watson and Holmes are both black women, but the other elements of the setup are familiar: the immediate deduction that Watson came from the front, the shared rooms (2809 Q Street this time, sacrificing homage for the accuracy of a real address), Holmes's tendency to play an instrument (this time the piano), and even the title of this book, which is an obvious echo of the title of the first Holmes novel, A Study in Scarlet. Except that's not what you'll get. There are a lot of parallels and references here, but this is not a Holmes-style detective novel. First, it's only arguably a detective novel at all. There is a mystery, which starts with a patient Watson sees in her fallback job as a medical tech in the VA hospital and escalates to a physical attack, but that doesn't start until a third of the way into the book. It certainly is not solved through minute clues and leaps of deduction; instead, that part of the plot has the shape of a thriller rather than a classic mystery. There is a good argument that the thriller is the modern mystery novel, so I don't want to overstate my case, but I think someone who came to this book wanting a Doyle-style mystery would be disappointed. Second, the mystery is not the heart of this book. Watson is. She, like Doyle's Watson, is the first-person narrator, but she is far more present in the book. I have no idea how accurate O'Dell's portrayal of Watson's PTSD is, but it was certainly compelling and engrossing reading. Her fight for basic dignity and her rage at the surface respect and underlying disinterested hostility of the bureaucratic war machinery is what kept me turning the pages. The mystery plot is an outgrowth of that and felt more like a case study than the motivating thread of the plot. And third, Sara Holmes... well, I hesitate to say definitively that she's not Sherlock Holmes. There have been so many versions of Holmes over the years, even apart from the degree to which a black woman would necessarily not be like Doyle's character. But she did not remind me of Sherlock Holmes. She reminded me of a cross between James Bond and a high fae. This sounds like a criticism. It very much is not. I found this high elf spy character far more interesting than I have ever found Sherlock Holmes. But here again, if you came into this book hoping for a Holmes-style master detective, I fear you may be wrong-footed. The James Bond parts will be obvious when you get there and aren't the most interesting (and thankfully the misogyny is entirely absent). The part I found more fascinating is the way O'Dell sets Holmes apart by making her fae rather than insufferable. She projects effortless elegance, appears and disappears on a mysterious schedule of her own, thinks nothing of reading her roommate's diary, leaves meticulously arranged gifts, and even bargains with Watson for answers to precisely three questions. The reader does learn some mundane explanations for some of this behavior, but to be honest I found them somewhat of a letdown. Sara Holmes is at her best as a character when she tacks her own mysterious path through a rather grim world of exhausted war, penny-pinching bureaucracy, and despair, pursuing an unexplained agenda of her own while showing odd but unmistakable signs of friendship and care. This is not a romance, at least in this book. It is instead a slowly-developing friendship between two extremely different people, one that I thoroughly enjoyed. I do have a couple of caveats about this book. The first is that the future US in which it is set is almost pure Twitter doomcasting. Trump's election sparked a long slide into fascism, and when that was arrested by the election of a progressive candidate backed by a fragile coalition, Midwestern red states seceded to form the New Confederacy and start a second civil war that has dragged on for nearly eight years. It's a very specific mainstream liberal dystopian scenario that I've seen so many times it felt like a cliche even though I don't remember seeing it in a book before. This type of future projection of current fears is of course not new for science fiction; Cold War nuclear war novels are probably innumerable. But I had questions, such as how a sparsely-populated, largely non-industrial, and entirely landlocked set of breakaway states could maintain a war footing for eight years. Despite some hand-waving about covert support, those questions are not really answered here. The second problem is that the ending of this book kind of falls apart. The climax of the mystery investigation is unsatisfyingly straightforward, and the resulting revelation is a hoary cliche. Maybe I'm just complaining about the banality of evil, but if I'd been engrossed in this book for the thriller plot, I think I would have been annoyed. I wasn't, though; I was here for the characters, for Watson's PTSD and dogged determination, for Sara's strangeness, and particularly for the growing improbable friendship between two women with extremely different life experiences, emotions, and outlooks. That part was great, regardless of the ending. Do not pick this book up because you want a satisfying deductive mystery with bumbling police and a blizzard of apparently inconsequential clues. That is not at all what's happening here. But this was great on its own terms, and I will be reading the sequel shortly. Recommended, although if you are very online expect to do a bit of eye-rolling at the setting. Followed by The Hound of Justice, but the sequel is not required. This book reaches a satisfying conclusion of its own. Rating: 8 out of 10

25 December 2023

Sergio Talens-Oliag: GitLab CI/CD Tips: Automatic Versioning Using semantic-release

This post describes how I m using semantic-release on gitlab-ci to manage versioning automatically for different kinds of projects following a simple workflow (a develop branch where changes are added or merged to test new versions, a temporary release/#.#.# to generate the release candidate versions and a main branch where the final versions are published).

What is semantic-releaseIt is a Node.js application designed to manage project versioning information on Git Repositories using a Continuous integration system (in this post we will use gitlab-ci)

How does it workBy default semantic-release uses semver for versioning (release versions use the format MAJOR.MINOR.PATCH) and commit messages are parsed to determine the next version number to publish. If after analyzing the commits the version number has to be changed, the command updates the files we tell it to (i.e. the package.json file for nodejs projects and possibly a CHANGELOG.md file), creates a new commit with the changed files, creates a tag with the new version and pushes the changes to the repository. When running on a CI/CD system we usually generate the artifacts related to a release (a package, a container image, etc.) from the tag, as it includes the right version number and usually has passed all the required tests (it is a good idea to run the tests again in any case, as someone could create a tag manually or we could run extra jobs when building the final assets if they fail it is not a big issue anyway, numbers are cheap and infinite, so we can skip releases if needed).

Commit messages and versioningThe commit messages must follow a known format, the default module used to analyze them uses the angular git commit guidelines, but I prefer the conventional commits one, mainly because it s a lot easier to use when you want to update the MAJOR version. The commit message format used must be: 
<type>(optional scope): <description>
[optional body]
[optional footer(s)]
The system supports three types of branches: release, maintenance and pre-release, but for now I m not using maintenance ones. The branches I use and their types are:
  • main as release branch (final versions are published from there)
  • develop as pre release branch (used to publish development and testing versions with the format #.#.#-SNAPSHOT.#)
  • release/#.#.# as pre release branches (they are created from develop to publish release candidate versions with the format #.#.#-rc.# and once they are merged with main they are deleted)
On the release branch (main) the version number is updated as follows:
  1. The MAJOR number is incremented if a commit with a BREAKING CHANGE: footer or an exclamation (!) after the type/scope is found in the list of commits found since the last version change (it looks for tags on the same branch).
  2. The MINOR number is incremented if the MAJOR number is not going to be changed and there is a commit with type feat in the commits found since the last version change.
  3. The PATCH number is incremented if neither the MAJOR nor the MINOR numbers are going to be changed and there is a commit with type fix in the the commits found since the last version change.
On the pre release branches (develop and release/#.#.#) the version and pre release numbers are always calculated from the last published version available on the branch (i. e. if we published version 1.3.2 on main we need to have the commit with that tag on the develop or release/#.#.# branch to get right what will be the next version). The version number is updated as follows:
  1. The MAJOR number is incremented if a commit with a BREAKING CHANGE: footer or an exclamation (!) after the type/scope is found in the list of commits found since the last released version.In our example it was 1.3.2 and the version is updated to 2.0.0-SNAPSHOT.1 or 2.0.0-rc.1 depending on the branch.
  2. The MINOR number is incremented if the MAJOR number is not going to be changed and there is a commit with type feat in the commits found since the last released version.In our example the release was 1.3.2 and the version is updated to 1.4.0-SNAPSHOT.1 or 1.4.0-rc.1 depending on the branch.
  3. The PATCH number is incremented if neither the MAJOR nor the MINOR numbers are going to be changed and there is a commit with type fix in the the commits found since the last version change.In our example the release was 1.3.2 and the version is updated to 1.3.3-SNAPSHOT.1 or 1.3.3-rc.1 depending on the branch.
  4. The pre release number is incremented if the MAJOR, MINOR and PATCH numbers are not going to be changed but there is a commit that would otherwise update the version (i.e. a fix on 1.3.3-SNAPSHOT.1 will set the version to 1.3.3-SNAPSHOT.2, a fix or feat on 1.4.0-rc.1 will set the version to 1.4.0-rc.2 an so on).

How do we manage its configurationAlthough the system is designed to work with nodejs projects, it can be used with multiple programming languages and project types. For nodejs projects the usual place to put the configuration is the project s package.json, but I prefer to use the .releaserc file instead. As I use a common set of CI templates, instead of using a .releaserc on each project I generate it on the fly on the jobs that need it, replacing values related to the project type and the current branch on a template using the tmpl command (lately I use a branch of my own fork while I wait for some feedback from upstream, as you will see on the Dockerfile).

Container used to run itAs we run the command on a gitlab-ci job we use the image built from the following Dockerfile:
Dockerfile 
# Semantic release image
FROM golang:alpine AS tmpl-builder
#RUN go install github.com/krakozaure/tmpl@v0.4.0
RUN go install github.com/sto/tmpl@v0.4.0-sto.2
FROM node:lts-alpine
COPY --from=tmpl-builder /go/bin/tmpl /usr/local/bin/tmpl
RUN apk update &&\
  apk upgrade &&\
  apk add curl git jq openssh-keygen yq zip &&\
  npm install --location=global\
    conventional-changelog-conventionalcommits@6.1.0\
    @qiwi/multi-semantic-release@7.0.0\
    semantic-release@21.0.7\
    @semantic-release/changelog@6.0.3\
    semantic-release-export-data@1.0.1\
    @semantic-release/git@10.0.1\
    @semantic-release/gitlab@9.5.1\
    @semantic-release/release-notes-generator@11.0.4\
    semantic-release-replace-plugin@1.2.7\
    semver@7.5.4\
  &&\
  rm -rf /var/cache/apk/*
CMD ["/bin/sh"]

How and when is it executedThe job that runs semantic-release is executed when new commits are added to the develop, release/#.#.# or main branches (basically when something is merged or pushed) and after all tests have passed (we don t want to create a new version that does not compile or passes at least the unit tests). The job is something like the following: 
semantic_release:
  image: $SEMANTIC_RELEASE_IMAGE
  rules:
    - if: '$CI_COMMIT_BRANCH =~ /^(develop main release\/\d+.\d+.\d+)$/'
      when: always
  stage: release
  before_script:
    - echo "Loading scripts.sh"
    - . $ASSETS_DIR/scripts.sh
  script:
    - sr_gen_releaserc_json
    - git_push_setup
    - semantic-release
Where the SEMANTIC_RELEASE_IMAGE variable contains the URI of the image built using the Dockerfile above and the sr_gen_releaserc_json and git_push_setup are functions defined on the $ASSETS_DIR/scripts.sh file:
  • The sr_gen_releaserc_json function generates the .releaserc.json file using the tmpl command.
  • The git_push_setup function configures git to allow pushing changes to the repository with the semantic-release command, optionally signing them with a SSH key.

The sr_gen_releaserc_json functionThe code for the sr_gen_releaserc_json function is the following: 
sr_gen_releaserc_json()
 
  # Use nodejs as default project_type
  project_type="$ PROJECT_TYPE:-nodejs "
  # REGEX to match the rc_branch name
  rc_branch_regex='^release\/[0-9]\+\.[0-9]\+\.[0-9]\+$'
  # PATHS on the local ASSETS_DIR
  assets_dir="$ CI_PROJECT_DIR /$ ASSETS_DIR "
  sr_local_plugin="$ assets_dir /local-plugin.cjs"
  releaserc_tmpl="$ assets_dir /releaserc.json.tmpl"
  pipeline_runtime_values_yaml="/tmp/releaserc_values.yaml"
  pipeline_values_yaml="$ assets_dir /values_$ project_type _project.yaml"
  # Destination PATH
  releaserc_json=".releaserc.json"
  # Create an empty pipeline_values_yaml if missing
  test -f "$pipeline_values_yaml"   : >"$pipeline_values_yaml"
  # Create the pipeline_runtime_values_yaml file
  echo "branch: $ CI_COMMIT_BRANCH " >"$pipeline_runtime_values_yaml"
  echo "gitlab_url: $ CI_SERVER_URL " >"$pipeline_runtime_values_yaml"
  # Add the rc_branch name if we are on an rc_branch
  if [ "$(echo "$CI_COMMIT_BRANCH"   sed -ne "/$rc_branch_regex/ p ")" ]; then
    echo "rc_branch: $ CI_COMMIT_BRANCH " >>"$pipeline_runtime_values_yaml"
  elif [ "$(echo "$CI_MERGE_REQUEST_SOURCE_BRANCH_NAME"  
      sed -ne "/$rc_branch_regex/ p ")" ]; then
    echo "rc_branch: $ CI_MERGE_REQUEST_SOURCE_BRANCH_NAME " \
      >>"$pipeline_runtime_values_yaml"
  fi
  echo "sr_local_plugin: $ sr_local_plugin " >>"$pipeline_runtime_values_yaml"
  # Create the releaserc_json file
  tmpl -f "$pipeline_runtime_values_yaml" -f "$pipeline_values_yaml" \
    "$releaserc_tmpl"   jq . >"$releaserc_json"
  # Remove the pipeline_runtime_values_yaml file
  rm -f "$pipeline_runtime_values_yaml"
  # Print the releaserc_json file
  print_file_collapsed "$releaserc_json"
  # --*-- BEG: NOTE --*--
  # Rename the package.json to ignore it when calling semantic release.
  # The idea is that the local-plugin renames it back on the first step of the
  # semantic-release process.
  # --*-- END: NOTE --*--
  if [ -f "package.json" ]; then
    echo "Renaming 'package.json' to 'package.json_disabled'"
    mv "package.json" "package.json_disabled"
  fi
Almost all the variables used on the function are defined by gitlab except the ASSETS_DIR and PROJECT_TYPE; in the complete pipelines the ASSETS_DIR is defined on a common file included by all the pipelines and the project type is defined on the .gitlab-ci.yml file of each project. If you review the code you will see that the file processed by the tmpl command is named releaserc.json.tmpl, its contents are shown here: 
 
  "plugins": [
     - if .sr_local_plugin  
    "  .sr_local_plugin  ",
     - end  
    [
      "@semantic-release/commit-analyzer",
       
        "preset": "conventionalcommits",
        "releaseRules": [
            "breaking": true, "release": "major"  ,
            "revert": true, "release": "patch"  ,
            "type": "feat", "release": "minor"  ,
            "type": "fix", "release": "patch"  ,
            "type": "perf", "release": "patch"  
        ]
       
    ],
     - if .replacements  
    [
      "semantic-release-replace-plugin",
        "replacements":   .replacements   toJson    
    ],
     - end  
    "@semantic-release/release-notes-generator",
     - if eq .branch "main"  
    [
      "@semantic-release/changelog",
        "changelogFile": "CHANGELOG.md", "changelogTitle": "# Changelog"  
    ],
     - end  
    [
      "@semantic-release/git",
       
        "assets":   if .assets   .assets   toJson   else  []  end  ,
        "message": "ci(release): v$ nextRelease.version \n\n$ nextRelease.notes "
       
    ],
    [
      "@semantic-release/gitlab",
        "gitlabUrl": "  .gitlab_url  ", "successComment": false  
    ]
  ],
  "branches": [
      "name": "develop", "prerelease": "SNAPSHOT"  ,
     - if .rc_branch  
      "name": "  .rc_branch  ", "prerelease": "rc"  ,
     - end  
    "main"
  ]
The values used to process the template are defined on a file built on the fly (releaserc_values.yaml) that includes the following keys and values:
  • branch: the name of the current branch
  • gitlab_url: the URL of the gitlab server (the value is taken from the CI_SERVER_URL variable)
  • rc_branch: the name of the current rc branch; we only set the value if we are processing one because semantic-release only allows one branch to match the rc prefix and if we use a wildcard (i.e. release/*) but the users keep more than one release/#.#.# branch open at the same time the calls to semantic-release will fail for sure.
  • sr_local_plugin: the path to the local plugin we use (shown later)
The template also uses a values_$ project_type _project.yaml file that includes settings specific to the project type, the one for nodejs is as follows: 
replacements:
  - files:
      - "package.json"
    from: "\"version\": \".*\""
    to: "\"version\": \"$ nextRelease.version \""
assets:
  - "CHANGELOG.md"
  - "package.json"
The replacements section is used to update the version field on the relevant files of the project (in our case the package.json file) and the assets section includes the files that will be committed to the repository when the release is published (looking at the template you can see that the CHANGELOG.md is only updated for the main branch, we do it this way because if we update the file on other branches it creates a merge nightmare and we are only interested on it for released versions anyway). The local plugin adds code to rename the package.json_disabled file to package.json if present and prints the last and next versions on the logs with a format that can be easily parsed using sed:
local-plugin.cjs 
// Minimal plugin to:
// - rename the package.json_disabled file to package.json if present
// - log the semantic-release last & next versions
function verifyConditions(pluginConfig, context)  
  var fs = require('fs');
  if (fs.existsSync('package.json_disabled'))  
    fs.renameSync('package.json_disabled', 'package.json');
    context.logger.log( verifyConditions: renamed 'package.json_disabled' to 'package.json' );
   
 
function analyzeCommits(pluginConfig, context)  
  if (context.lastRelease && context.lastRelease.version)  
    context.logger.log( analyzeCommits: LAST_VERSION=$ context.lastRelease.version  );
   
 
function verifyRelease(pluginConfig, context)  
  if (context.nextRelease && context.nextRelease.version)  
    context.logger.log( verifyRelease: NEXT_VERSION=$ context.nextRelease.version  );
   
 
module.exports =  
  verifyConditions,
  analyzeCommits,
  verifyRelease

The git_push_setup functionThe code for the git_push_setup function is the following: 
git_push_setup()
 
  # Update global credentials to allow git clone & push for all the group repos
  git config --global credential.helper store
  cat >"$HOME/.git-credentials" <<EOF
https://fake-user:$ GITLAB_REPOSITORY_TOKEN @gitlab.com
EOF
  # Define user name, mail and signing key for semantic-release
  user_name="$SR_USER_NAME"
  user_email="$SR_USER_EMAIL"
  ssh_signing_key="$SSH_SIGNING_KEY"
  # Export git user variables
  export GIT_AUTHOR_NAME="$user_name"
  export GIT_AUTHOR_EMAIL="$user_email"
  export GIT_COMMITTER_NAME="$user_name"
  export GIT_COMMITTER_EMAIL="$user_email"
  # Sign commits with ssh if there is a SSH_SIGNING_KEY variable
  if [ "$ssh_signing_key" ]; then
    echo "Configuring GIT to sign commits with SSH"
    ssh_keyfile="/tmp/.ssh-id"
    : >"$ssh_keyfile"
    chmod 0400 "$ssh_keyfile"
    echo "$ssh_signing_key"   tr -d '\r' >"$ssh_keyfile"
    git config gpg.format ssh
    git config user.signingkey "$ssh_keyfile"
    git config commit.gpgsign true
  fi
The function assumes that the GITLAB_REPOSITORY_TOKEN variable (set on the CI/CD variables section of the project or group we want) contains a token with read_repository and write_repository permissions on all the projects we are going to use this function. The SR_USER_NAME and SR_USER_EMAIL variables can be defined on a common file or the CI/CD variables section of the project or group we want to work with and the script assumes that the optional SSH_SIGNING_KEY is exported as a CI/CD default value of type variable (that is why the keyfile is created on the fly) and git is configured to use it if the variable is not empty.
Warning: Keep in mind that the variables GITLAB_REPOSITORY_TOKEN and SSH_SIGNING_KEY contain secrets, so probably is a good idea to make them protected (if you do that you have to make the develop, main and release/* branches protected too).
Warning: The semantic-release user has to be able to push to all the projects on those protected branches, it is a good idea to create a dedicated user and add it as a MAINTAINER for the projects we want (the MAINTAINERS need to be able to push to the branches), or, if you are using a Gitlab with a Premium license you can use the api to allow the semantic-release user to push to the protected branches without allowing it for any other user.

The semantic-release commandOnce we have the .releaserc file and the git configuration ready we run the semantic-release command. If the branch we are working with has one or more commits that will increment the version, the tool does the following (note that the steps are described are the ones executed if we use the configuration we have generated):
  1. It detects the commits that will increment the version and calculates the next version number.
  2. Generates the release notes for the version.
  3. Applies the replacements defined on the configuration (in our example updates the version field on the package.json file).
  4. Updates the CHANGELOG.md file adding the release notes if we are going to publish the file (when we are on the main branch).
  5. Creates a commit if all or some of the files listed on the assets key have changed and uses the commit message we have defined, replacing the variables for their current values.
  6. Creates a tag with the new version number and the release notes.
  7. As we are using the gitlab plugin after tagging it also creates a release on the project with the tag name and the release notes.

Notes about the git workflows and merges between branchesIt is very important to remember that semantic-release looks at the commits of a given branch when calculating the next version to publish, that has two important implications:
  1. On pre release branches we need to have the commit that includes the tag with the released version, if we don t have it the next version is not calculated correctly.
  2. It is a bad idea to squash commits when merging a branch to another one, if we do that we will lose the information semantic-release needs to calculate the next version and even if we use the right prefix for the squashed commit (fix, feat, ) we miss all the messages that would otherwise go to the CHANGELOG.md file.
To make sure that we have the right commits on the pre release branches we should merge the main branch changes into the develop one after each release tag is created; in my pipelines the fist job that processes a release tag creates a branch from the tag and an MR to merge it to develop. The important thing about that MR is that is must not be squashed, if we do that the tag commit will probably be lost, so we need to be careful. To merge the changes directly we can run the following code: 
# Set the SR_TAG variable to the tag you want to process
SR_TAG="v1.3.2"
# Fetch all the changes
git fetch --all --prune
# Switch to the main branch
git switch main
# Pull all the changes
git pull
# Switch to the development branch
git switch develop
# Pull all the changes
git pull
# Create followup branch from tag
git switch -c "followup/$SR_TAG" "$SR_TAG"
# Change files manually & commit the changed files
git commit -a --untracked-files=no -m "ci(followup): $SR_TAG to develop"
# Switch to the development branch
git switch develop
# Merge the followup branch into the development one using the --no-ff option
git merge --no-ff "followup/$SR_TAG"
# Remove the followup branch
git branch -d "followup/$SR_TAG"
# Push the changes
git push
If we can t push directly to develop we can create a MR pushing the followup branch after committing the changes, but we have to make sure that we don t squash the commits when merging or it will not work as we want.

Russ Allbery: Review: The Blackwing War

Review: The Blackwing War, by K.B. Spangler
Series: Deep Witches #1
Publisher: A Girl and Her Fed Books
Copyright: March 2021
ISBN: blackwing-war
Format: Kindle
Pages: 284
The Blackwing War is the first book of a projected space opera series. I previously reviewed Stoneskin, which was intended as a prelude to this series. In theory you can start here, but I would read Stoneskin first. Tembi is a Witch, which means she can ask the Deep to do things for her. At the start of the book, those things mostly involve disarming bombs. The galaxy is in the middle of a genocidal war between the well-equipped and all-but-officially supported Sagittarius Armed Forces, also known as the Blackwings, and the Sabenta resistance movement. To settle the galaxy, humans fiddled with their genes to adapt themselves to otherwise-hostile planets. The Blackwings take exception, in the tradition of racist humans throughout history, and think it's time to purify human bloodlines again. Both sides are using bombs. The Deep is the brilliant idea of this series. It seems to exist everywhere simultaneously, it's alive, it adores teleporting things, and it's basically a giant cosmic puppy. Humans are nearly incomprehensible to the Deep, and it's nearly incomprehensible to humans, but it somehow picks out specific humans who can (sort of) understand it and whom it gets attached to and somehow makes immortal. These are the Witches, and they have turned the Deep into the logistical backbone of human civilization. Essentially all commerce and travel is now done through Deep teleportation, requested by a Witch and coordinated by Lancaster, the Witches' governing council. The exception is war. Lancaster is strictly neutral; it does not take sides, even in the face of an ongoing genocide, and it refuses to transport military ships, any type of weapons, or even war refugees. Domino, Lancaster's cynically manipulative leader, is determined to protect its special privileges and position at all costs. Tembi is one of the quasi-leaders of a resistance against that position, but even they are reluctant to ask the Deep to take sides in a war. To them, the Deep is a living magical creature that they are exploiting, and which also tends to be a bundle of nerves. Using it as a weapon feels like a step too far. That's how the situation lies at the start of this book when, after a successful bomb defusing, the Deep whisks Tembi away to watch an unknown weapon blow up a moon. A lot of this book consists of Tembi unraveling a couple of mysteries, starting with the apparent experimental bomb and then expanding to include the apparent drugging and disappearance of her former classmate. The low-grade war gets worse throughout, leaving Tembi torn between the justifications for Lancaster's neutrality and her strong sense of basic morality. The moments when Tembi gets angry enough or impatient enough to take action are the best parts, but a lot of this book is quite grim. Do not expect all to be resolved in a happy ending. There is some catharsis, but The Blackwing War is also clearly setup for a longer series. Tembi is a great character and the Deep is even better. I thoroughly enjoyed reading about both of them, and Tembi's relationship with the Deep is a delight. Usually I get frustrated by baffling incomprehensibility as a plot devices, but Spangler pulls it off as well as I've seen it done. But unfortunately, this book is firmly in the "gets worse before it will get better" part of the overall story arc, and the sequels have not yet appeared. The Blackwing War ends on a cliffhanger that portends huge changes for the characters and the setting, and if I had the next book to rush into, I wouldn't mind the grimness as much. As is, it was a somewhat depressing reading experience despite its charms, and despite a somewhat optimistic ending (that I doubt will truly resolve anything). I think the world-building elements were a touch predictable, and I wish Spangler wouldn't have her characters keep trying to justify Domino's creepy, abusive, and manipulative actions. But the characters are so much fun, and the idea of the Deep as a character is such a delight, that I am hooked on this series regardless. Recommended, although I will (hopefully) be able to recommend it more heartily once at least one sequel has been published. Content warnings: genocide, racism, violent death. Rating: 7 out of 10

24 December 2023

Russ Allbery: Review: Liberty's Daughter

Review: Liberty's Daughter, by Naomi Kritzer
Publisher: Fairwood Press
Copyright: November 2023
ISBN: 1-958880-16-7
Format: Kindle
Pages: 257
Liberty's Daughter is a stand-alone near-future science fiction fix-up novel. The original stories were published in Fantasy and Science Fiction between 2012 and 2015. Beck Garrison lives on New Minerva (Min), one of a cluster of libertarian seasteads 220 nautical miles off the coast of Los Angeles. Her father brought her to Min when she was four, so it's the only life she knows. As this story opens, she's picked up a job for pocket change: finding very specific items that people want to buy. Since any new goods have to be shipped in and the seasteads have an ambiguous legal status, they don't get Amazon deliveries, but there are enough people (and enough tourists who bring high-value goods for trade) that someone probably has whatever someone else is looking for. Even sparkly high-heeled sandals size eight. Beck's father is high in the informal power structure of the seasteads for reasons that don't become apparent until very late in this book. Beck therefore has a comfortable, albeit cramped, life. The social protections, self-confidence, and feelings of invincibility that come with that wealth serve her well as a finder. After the current owner of the sandals bargains with her to find a person rather than an object, that privilege also lets her learn quite a lot before she starts getting into trouble. The political background of this novel is going to require some suspension of disbelief. The premise is that one of those harebrained libertarian schemes to form a freedom utopia has been successful enough to last for 49 years and attract 80,000 permanent residents. (It's a libertarian seastead so a lot of those residents are indentured slaves, as one does in libertarian philosophy. The number of people with shares, like Beck's father, is considerably smaller.) By the end of the book, Kritzer has offered some explanations for why the US would allow such a place to continue to exist, but the chances of the famously fractious con artists and incompetents involved in these types of endeavors creating something that survived internal power struggles for that long seem low. One has to roll with it for story reasons: Kritzer needs the population to be large enough for a plot, and the history to be long enough for Beck to exist as a character. The strength of this book is Beck, and specifically the fact that Beck is a second-generation teenager who grew up on the seastead. Unlike a lot of her age peers with their Cayman Islands vacations, she's never left and has no experience with life on land. She considers many things to be perfectly normal that are not at all normal to the reader and the various reader surrogates who show up over the course of the book. She also has the instinctive feel for seastead politics of the child of a prominent figure in a small town. And, most importantly, she has formed her own sense of morality and social structure that matches neither that of the reader nor that of her father. Liberty's Daughter is told in first-person by Beck. Judging the authenticity of Gen-Z thought processes is not one of my strengths, but Beck felt right to me. Her narration is dryly matter-of-fact, with only brief descriptions of her emotional reactions, but her personality shines in the occasional sarcasm and obstinacy. Kritzer has the teenage bafflement at the stupidity of adults down pat, as well as the tendency to jump head-first into ideas and make some decisions through sheer stubbornness. This is not one of those fix-up novels where the author has reworked the stories sufficiently that the original seams don't show. It is very episodic; compared to a typical novel of this length, there's more plot but less character growth. It's a good book when you want to be pulled into a stream of events that moves right along. This is not the book for deep philosophical examinations of the basis of a moral society, but it does have, around the edges, is the humans build human societies and develop elaborate social conventions and senses of belonging no matter how stupid the original philosophical foundations were. Even societies built on nasty exploitation can engender a sort of loyalty. Beck doesn't support the worst parts of her weird society, but she wants to fix it, not burn it to the ground. I thought there was a profound observation there. That brings me to my complaint: I hated the ending. Liberty's Daughter is in part Beck's fight for her own autonomy, both moral and financial, and the beginnings of an effort to turn her home into the sort of home she wants. By the end of the book, she's testing the limits of what she can accomplish, solidifying her own moral compass, and deciding how she wants to use the social position she inherited. It felt like the ending undermined all of that and treated her like a child. I know adolescence comes with those sorts of reversals, but I was still so mad. This is particularly annoying since I otherwise want to recommend this book. It's not ground-breaking, it's not that deep, but it was a thoroughly enjoyable day's worth of entertainment with a likable protagonist. Just don't read the last chapter, I guess? Or have more tolerance than I have for people treating sixteen-year-olds as if they're not old enough to make decisions. Content warnings: pandemic. Rating: 7 out of 10

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